Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
When a family is held hostage, former hostage negotiator Jeff Talley arrives at the scene. Talley's own family is kidnapped and Talley must decide which is more important: saving a family he doesn't even know or saving his own family.
Serena Scott Thomas
In the original script, the entire third act was set on water. Also, Hallenbeck's grudge with Senator Baynard was completely different from the movie. In the script, Hallenbeck was working security for the Baynard family when Louis Baynard, President Baynard's son, kills a mother and her child in a drunken car accident. When Hallenbeck refuses to cover for the President's son, they plant half a kilo of crack in his house. Louis Baynard was also a villain in the script, and in the end, both he and his father die. See more »
In the movie Joe Hollenback (Bruce Willis) kills a man by driving the man's nose into his brain by use of an upward hand thrust to the bottom of the man's nose. This is impossible. The nose is made of cartilage, not bone. Even if the nose were bone there is no way it would be able to penetrate the skull. The man would definitely suffer a broken nose, but he would not die. See more »
Locker Room Kid:
Billy Cole. Billy Cole.
The first half stunk! Open the holes up! Get in there like hogs! Like pigs!
Locker Room Kid:
Billy Cole. You got a call on line three.
Let's go out there in this half and kick some butt! Let's get out of this town as a winner! I hate Cleveland!
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When the film aired on TV1 in New Zealand in mid 2010s, all the 'F' words in the film were bleeped out. See more »
Before commenting on the movie itself I would like to explain my position on "judging" movies (since I'm a newbie here). Namely - IMHO, one has to analyze the "how", not the "what". Meaning - if you, for instance, compare this movie to a, for example, Pasolini / Bertolucci / Tarkovski / Whoever-else, you won't get far. There's no way to choose between a melon and a steak - one is a main course, another is dessert. Now then, all I gotta say on the actual movie is: an excellent specie of a purely commercial entertainment for grown-ups with a lot of kid stuff inside. The advantages and limitations of the genre - which is your typical action with a twist of comedy - are played on beautifully by the great action hero (who, IMHO, is also much more than that) Bruce Willis with his usual charisma and self-irony. Damon Wanes gives a very decent, even if a bit "afroamerican-comedy-club stereotype" performance, every note is in it's rightful place, though he is not as yet the actor we know from "Bamboozled". Danielle Harris is easy-going, natural and convincing as a teen daughter of the Last Boyscout. Chelsea Field is a bit shallow in this, your standard "wife". I think the role needed more "soulsearching". Taylor Negrin was too "cartoony" for my taste, a bit over the top, so didn't affect me as scary, which was obviously intended. The screenplay is fast, alive and has a good balance of drama/comedy, without rubbing our faces in either. Tony Scott keeps it interesting with his very own and unique visual style. On the whole - a highly enjoyable quality entertainment. WATCH IT - HAVE FUN!
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