Born poor in St. Louis, Missouri, Josephine Baker achieved fame and fortune through her sizzlingly exotic, erotic performances. Starting life on the American Vaudeville circuit, success ...
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Born poor in St. Louis, Missouri, Josephine Baker achieved fame and fortune through her sizzlingly exotic, erotic performances. Starting life on the American Vaudeville circuit, success takes Josephine to Paris where her semi-nude dancing causes an international sensation. Through her marriages to an Italian pseudo-count and an orchestra leader, to her bond with army officer Sydney Williams, Josephine's life is a rollercoaster ride of love and rejection from both her lovers and her country. But semi-nude, or head-to-toes in sequins; in battle fatigues or rags - her beauty and ambition ensured that Josephine Baker will always be remembered as the first, and possibly most loved, truly international star.Written by
HBO Home Video
Stop that man! You stop! You called me a nigger! You said you didn't want to sit alongside a nigger! Well, I don't know if you know it, but there are laws against that! Call the police and tell them I am making a citizen's arrest now!
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This is certainly a well-intentioned movie, and the star, Lynn Whitfield, certainly gives a very moving performance. Much of the movie focuses on Baker's career after the War, where she becomes involved in the civil rights movement. It's very well-meaning, certainly, but not the part of her life and career that interests me, so I found that that part of the movie dragged. Her years in Paris as a performer in the 1920s and 30s get short shrift, and that's a shame, because it's what made a star of her.
The movie takes its particular stance on how Baker saw her early Paris performances. While it's an interesting interpretation - very sincere - I don't know how accurate it is. The one aspect of Baker's performances that doesn't get developed in this movie is her role as a comedian. In certain ways, she was something of a Black Fanny Brice. Something of that comes through her early newsreels, but it's missing from the way Ms. Whitfield was directed to portray Baker.
In the end, for me, this amounted to a very fine performance by Whitfield. But how accurate a depiction of Baker it provided, at least for her early years as a successful performer, I don't know.
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