In this Derek Jarman version of Christopher Marlowe's Elizabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by ...
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A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the ... See full summary »
A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to... See full summary »
A movie with no spoken dialogue, just follows the music and lyrics of Benjamin Britten's "War Requiem, which include World War I soldier poet Wilfred Owen's poems reflecting the war's ... See full summary »
An unseen woman recites Shakespeare's sonnets - fourteen in all - as a man wordlessly seeks his heart's desire. The photography is stop-motion, the music is ethereal, the scenery is often ... See full summary »
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both ... See full summary »
Queen Elisabeth I travels 400 years into the future to witness the appalling revelation of a dystopian London overrun by corruption and a vicious gang of punk guerrilla girls led by the new Monarch of Punk.
Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British ... See full summary »
In this Derek Jarman version of Christopher Marlowe's Elizabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by taking as lover besides his diplomatic wife, the French princess Isabel, not an acceptable lady at court but the ambitious Piers Gaveston, who uses his favor in bed even to wield political influence - the stage is set for a palace revolt which sends the gay pair from the throne to a terminal torture dungeon.Written by
Definitely Derek Jarman's most refined film. That said, refined for Jarman is bizarre for most.
Based VERY loosely on Christopher Marlowe's play from 1592, however, should be view in its own light / right. Whereas it does tend to capture the wonderful Marlow language, this is no "Shakespeare" here! It's a brilliantly acted ensemble piece, set in Jarman's abstract vision of the world, with a core message that is as valid today as it must have been shocking then.
Jarman "paints" his film - as he always did - not in any logical manner or order, but like a mosaic of images, creating a whole and a statement - a strong statement about intolerance in this case.
This one might even be palatable for non-Jarman fans.
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