After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
At an archaeological dig in the ancient city of Hamunaptra, an American serving in the French Foreign Legion accidentally awakens a mummy who begins to wreck havoc as he searches for the reincarnation of his long-lost love.
The Addams step out of Charles Addams' cartoons. They live with all of the trappings of the macabre (including a detached hand for a servant) and are quite wealthy. Added to this mix is a crooked accountant and his loan shark and a plot to slip in the shark's son into the family as their long lost Uncle Fester. Can the false Fester find his way into the vault before he is discovered?Written by
John Vogel <email@example.com>
Three weeks into directing, Barry Sonnenfeld was talking to a studio executive who was concerned about the budget for the film when he felt a "tremendous pressure" in his chest, "as if someone was blowing up a balloon inside me", then passed out. He also dealt with sciatica during filming, and had to shut down the Los Angeles production for several days when his wife needed major surgery in New York City. See more »
Fester tells Wednesday to "Aim for a major artery: the jugular!" However, the jugular is a vein; the major artery in the neck is the carotid. See more »
[Playing with the train set, ranting about Fester's finger-trap]
How do you take it off? That's absurd! That finger trap was a party favor at his tenth birthday!
[In the room below, Morticia is reading a bedtime story to Wednesday and Pugsley. She looks up at the noise]
Father's playing with his trains.
He wore that finger-trap for two years! Mother had to teach him to eat with his feet! And the combination! AND the password! And my cigar! And he slept so well!
[...] See more »
The McDonald's release version omits a scene in which Lurch attempts to sell vacuum cleaners when the family is forced to leave their house. See more »
The Addams Family are one of the more recognisable families in TV history. With that in mind, let's skip the introductions and get straight to the chase.
The performances in this movie are superb. It's a black, black comedy, and as such, it requires a certain kind of actor. The kind who has the right look, the perfect comedic timing, and the ability to deliver lines so deadpan it almost hurts.
Raul Julia, Anjelica Huston, and a young Christina Ricci somehow ALL manage to deliver. They're truly a delight to watch, delivering the most macabre lines without even coming close to cracking a smile, yet having me in stitches every time. Even Christopher Lloyd, playing a far more energetic character, manages to bring in a maniacal edge to the performance. I don't think there's an actor in the movie who doesn't understand the role they play.
The script is great material for them to work with too, extremely witty, rarely if ever falling on it's face, and complemented with some fantastic sets. And let's not forget the music. From the legendary theme tune, to the harpsichord jingles accompanying the visual gags, to the booming organs during the heavier moments, it's spot-on. The whole movie works as one to capture *THE* Addams atmosphere, macabre as it's ever been.
Sure, there's a plot too, but while it drives the movie on, you'd watch this movie for the wonderful theme, not for an intriguing plotline.
It's a classic, and you're doing yourself a disservice if you haven't seen it, or if you think you're too sensible for this kind of movie.
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