Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
A remake of George Romero's 1968 black-and-white classic that begins in a cemetery, as the recently-dead return to life - from an unknown cause - and attack the living as their prey. One woman escapes the frightening zombies to take refuge with others in a farmhouse, as every cadaver for miles around hungers for their flesh. Will they make it through the night...that the dead came back to life?Written by
At 1:10:30 of the film, Cooper is standing in front of a picture of a U.S. Navy ship. This is a picture of the infamous USS Eldridge, which was reported to have been part of the 1943 "Philadelphia Experiment" involving "cloaking" the ship to make it invisible. This is largely considered to be a hoax, but the legend of the Eldridge has lived on, and its place in the film hints at paranormal developments. See more »
When Barbara is loading the Henry lever action rifle, she is loading the cartridges bullet first. This would lead to a malfunction in the rifle, as the bullet end must be facing toward the muzzle for the cartridges to properly feed from the magazine tube into the chamber. See more »
They're coming to get you, Barbara!
They don't like being awaken this way!
Why do you have to be so mean?
'Cause I'm your older brother. Being mean and heartless is part of the job.
See more »
Bill Moseley's name is misspelled during the credits. See more »
The first cut of the film was given an "X" rating by the MPAA. Several cuts were made to ensure an R rating: mostly head shots to zombies, and a shot of a zombie exploding (when Tom shoots it from the back of the truck with a shotgun). See more »
Remake of something that didn't need to be remade, but it's still alright
George A. Romero turns over his classic horror film to be remade, and it's in the hands of Tom Savini (who did brilliant makeup for Dawn of the Dead and Day of the Dead). Now, I do have some mixed feelings about this movie. While in some aspects it's well made (er, for a remake), it can not match the original, if only in tone and style. But it also doesn't match up with the original because until the end, most of the movie is a shot for shot remake. More style is added, to be sure, but Savini and Romero (who scripted this one) could've gone farther.
With that said, Night of the Living Dead (1990) was an enjoyable horror flick experience, one where it's a good time with color and gore and all (plus more full frontal zombie nudity) and as long as you don't think too deeply about what you are watching (and certainly don't try to compare the 1968 and 1990 versions together), you'll have fun. B+
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