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Joe Versus the Volcano (1990)

PG | | Comedy, Romance | 9 March 1990 (USA)
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When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.
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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Tom Hanks ... Joe
Meg Ryan ... DeDe / Angelica / Patricia
Lloyd Bridges ... Graynamore
Robert Stack ... Dr. Ellison
Abe Vigoda ... Chief of the Waponis
Dan Hedaya ... Mr. Waturi
Barry McGovern Barry McGovern ... Luggage Salesman
Amanda Plummer ... Dagmar
Ossie Davis ... Marshall
Jayne Haynes Jayne Haynes ... Nurse
David Burton David Burton ... Mike
Jon Conrad Pochron Jon Conrad Pochron ... Tony (as Jon Pochran)
Jim Hudson ... Fred - Guard
Antoni Gatti Antoni Gatti ... Italian Tailor
Darrell Zwerling ... Underwear Salesman
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Storyline

Joe versus the Volcano is a fable which opens with somewhat surrealistic scenes of the dehumanization of Joe Bank's job and work environment (at a company whose product rather literally screws people) with imagery that seems to have been inspired by the classic film Metropolis. Joe is diagnosed with an incurable disease, quits his dehumanizing job, and accepts an offer to briefly "live like a king, die like a man" - but to fulfill his agreement he must willingly jump into a live volcano on the island of Waponi Woo in order to appease the volcano god. En route to the island, Joe meets a series of interesting characters in NYC and LA, then boards a yacht, captained by Patricia Graynamore. During the voyage Joe and Patricia survive disaster, fall in love, and finally arrive at the island where they face their destiny. Written by <talford@mitre.org>

Plot Summary | Add Synopsis

Taglines:

A story of love, lava and burning desire. See more »

Genres:

Comedy | Romance

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

9 March 1990 (USA) See more »

Also Known As:

Joe contra el volcán See more »

Filming Locations:

Hawaii, USA See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$9,252,232, 11 March 1990

Gross USA:

$39,404,261

Cumulative Worldwide Gross:

$39,404,261
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

When Joe and DeDe leave the restaurant, there is a billboard on the left with a picture of an erupting volcano and the words "Fire in Paradise". See more »

Goofs

When Joe enters the factory turnstile (view from the back), the man next in line is not the same man behind him when Joe gets hit by the turnstile (view from the front). This might be deliberate on the part of the film makers. When he walks through the parking lot, most of the people around him are dressed as blue-collar workers (open collars and jackets). When he enters the gate, most of the people behind him are white collar workers (jacket and tie under overcoat). See more »

Quotes

Angelica: Would you like to hear one of my poems?
Joe Banks: Sure.
Angelica: Long ago, the delicate tangles of his hair... covered the emptiness of my hand... Would you like to hear it again?
Joe Banks: Ok.
Angelica: Long ago, the delicate tangles of his hair... covered the emptiness of my hand.
See more »

Alternate Versions

The movie was re-shot to change the ending, which was unpopular with test audiences. In the original ending, after Joe and Patricia are expelled by the volcano, they are rescued by the Tweedle Dum (the sister of the yacht that was sunk, the Tweedle Dee.) On board are the rescued crew of the Dee, as well as Graynamore and "Dr. Ellison", who turns out to be Graynamore's tax accountant (and hatchet man) by the name of Kenneth Hindmick. Graynamore reveals he had Hindmick pose as a doctor to make Joe think he had a fatal disease. Hindmick pulls a gun on Joe to protect Graynamore from Joe's anger, and to allow Graynamore to keep the yacht. Joe, having stared into the mouth of a volcano, calmly swipes the gun from Hindmick, then announces to Graynamore that he and Patricia had gotten married by the Chief. They both banish Graynamore and Hindmick to the boat's dinghy in the middle of the ocean. Graynamore tells Hindmick that he likes Joe, and admits being banished in a small dinghy in the middle of the ocean is his price for being too greedy, and tells Hindmick to help him row home. Back at the Tweedle Dum, Joe and Patricia see the four steamer trunks popping to the surface, with the Chief riding the last one, brandishing his Tobi, happily telling them he didn't lose his soul after all. Joe replies he didn't lose his either. The only remnant from the original ending is that in the end credits, you see an artist's rendition of the Tweedle Dum sailing off into the distance. See more »

Connections

Referenced in Kung Fu and Titties (2013) See more »

Soundtracks

Ol' Man River
Written by Oscar Hammerstein II and Jerome Kern
Performed by Ray Charles
Courtesy of Ray Charles Enterprises, Inc.
See more »

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User Reviews

Surprisingly Good, Unfortunately overlooked
14 December 2002 | by scipioUofRSee all my reviews

Tom Hanks has made many movies, most of which are very funny, emotional, and heartwarming. This movies is different from all his other movies: it is a work of art. Every scene has its own idiosyncrasies. Ordinary characters and settings have subtle emotional undertones that tug at the heartstrings. Dan Hedaya and Sam Waterstone's performances, though humorous, have a tone that is more than the sum of its parts. Color and scenery also have a hidden beauty, such as in the scene with Joe's glowing warm in his cold, blue office, or the scene with the dog and child as he exits the doctor's office, or the scene with him all alone at his table at the hotel. I first saw the movie when I was 11 years old, even then, its beauty struck me. That beauty was well capped off by the montage during the end credits. Apparently, John Patrick Shanley, or someone, put alot of work in an otherwise ordinary movie. Imagine if Stanley Kuprick had directed "You've Got mail." I'm surprised that the movie is not better known, especially that it is a big turning point in Tom Hanks career. Admittedly, his screen presence compensates for Meg Ryan's lackluster acting at times. She was best as a brunette and redhead than acting as herself. Nevertheless, a good movie, one to own and not just rent.


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