A wealthy and womanizing businessman gets into trouble when he decides to give a fur coat as a birthday present to one of his two girlfriends. His clumsy chauffeur and his attractive ... See full summary »
Young couple masters the supernatural art of astral projection which allows them to travel through dreams, explore their fantasies and make a whole lot of love. They also end up stuck in nightmares or risk dying if someone wakes them up.
In New York City, American Brontë Parrish and Frenchman Georges Fauré enter into a marriage of convenience, they not even actually meeting, introduced by their mutual friend Anton who arranged the union, until the day of the civil marriage ceremony. Brontë and Georges expect never having to see each other again until they file for divorce and have each gotten what they want out of the marriage. The reason for Georges wanting to be married: he, an aspiring composer who has been is the States for five months, has long overstayed his tourist visa, and wants to be a permanent resident to get his green card, marrying an American which will solve that issue. The reason for Brontë wanting to get married: she, a horticulturist, needs to be married to be accepted as the new tenant for her dream apartment, which contains a greenhouse with a collection of exotic but currently neglected plants, plus an expansive patio where she can grow plants for her research. Their plans are thrown for a loop ...Written by
According to the book "Australian Film 1978-1994: A Survey of Theatrical Features" edited by Scott Murray, the film has no credit for costume designer. The picture does however have credits for a seamstress, three people as wardrobe supervisors, with Marilyn Matthews billed as associate costume designer. See more »
Bronte is barelegged at the party, but removes black stockings upon returning home. See more »
A romantic comedy-drama really, with far fewer laughs and much more sentiment than typical for the genre, though seemingly based on the favourite romcom premise that two people thrown into a position of intimacy for an extended period will inevitably fall into a touching and romantic love no matter how incompatible they at first appear. Depardieu comes across very well, though really doesn't need to try very hard to pull off the fairly stereotypical 'big french feller' he plays here, and MacDowell is her usual droney-voiced, moody-faced self, there to look pretty but prim rather than inspire any great feeling. The story ambles along nicely, taking in most of the standard licks of the genre ? impressing the friends, the family, high jinks with the neighbours, bad behaviour and heroism, shouting and laughing together to illustrate how love can emerge from conflict. Not hugely funny or romantic, but very nice to see that a romantic leading man could still smoke, drink and eat lots of butter in health-obsessed Hollywood back in 1990.
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