Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His... See full summary »
This is the hard and shocking story of life in a British borstal for young offenders. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power ... See full summary »
Cocky cockney snooker player Billy Kid accepts the challenge of a grudge match from Maxwell Randall (the Green Baize Vampire), six times world champion; the loser will never play ... See full summary »
Baal is a young amoral rebellious poetic genius who, after a short and eventful life of debauchery, betrayal and violence, is about to cut his ties to the world and meet his doom. A high society party is where the end begins.
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
A documentary on the economic relationship between the east and the west in the 1970s. As the Cold War rages, Pepsi and Fiat establish plants with imported technology in the east, and the ... See full summary »
A depiction of life in wartime England during the Second World War. Director Humphrey Jennings visits many aspects of civilian life and of the turmoil and privation caused by the war, all without narration.
I saw Elephant when it was first broadcast on BBC TV in 1989. There was a certain amount of hoo-ha about it, as the BBC had already put it back for a few months - films about the North of Ireland were, and are, touchy subjects. Watching it is riveting. The complete absence of story, dialogue and explanation serves to bring home the fact that, after all the talk and propaganda and fine words about freeing Ireland from the British oppressors or defending Ulster from the filthy Taigs, killing is killing - people are dying, frequently and horribly, and can there ever be a "reason" for it? I grew up in sheltered south Dublin and witnessed the Troubles at second-hand, filtered through the language of journalism; Elephant brought home to me, in the most visceral way, the relentless insanity of the situation. The film should be compulsory viewing in UK and Irish schools.
The major criticism of Elephant is that it's too simple - that the lack of context and explanation aren't enough. But the serial nature of it, muder after murder after murder, have an unforgettable power. It's not meant to be an attempt at the overall picture; it's a cry of horror against an appalling situation. I saw it once, ten years ago, and have never forgotten it.
It was directed by the late Alan Clarke, undoubtedly the best director of TV Britain has ever seen (maybe the best British director since Michael Powell). He had already given early breaks to Tim Roth (in Made in Britain) and Gary Oldman (in The Firm - not the Tom Cruise vehicle, but a brutal TV movie about soccer hooliganism). The title comes from the writer Bernard MacLaverty, who said that the Troubles were like having an elephant in your living room. That's what it was like to watch this film.
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