A time capsule of the L.A. comedy scene in the 1970s, "Diary of a Young Comic" casts Richard Lewis as a fictionalized version of himself - a young New York comic who comes out to Los Angeles to seek his fame and fortune.
Heidi Holland is a woman on the long and often bumpy road of self-discovery from the 1960s to 1990s. The movie follows her path from high-school egghead, to feminist supporter, to ... See full summary »
Jamie Lee Curtis,
Kate and her artist husband are busy working parents. Everything seems to be going fine, going about their daily lives. Then, Anna, the Swedish nanny that Kate hired to care for their ... See full summary »
Jude Madigan abandons her husband Robert and her three sons without any explanation. Three years later Jude inexplicably returns to reunite her family. However Robert and his new lover ... See full summary »
Jamie Lee Curtis,
Based on the novels "Chances" and "Lucky" by Jackie Collins, this miniseries features the rise of Gino Santangelo in the Las Vegas casino industry, and his daughter Lucky's subsequent ... See full summary »
Ted Hiller is a sensible, normal, family man while his best friend, Neil Diller is the absolute opposite, slick, unstable, and sarcastic. As the theme song goes, together they write a TV ... See full summary »
The unaired pilot for the show featured similar characters, but a different premise. In the unaired pilot, Hannah is a high powered editor in a love triangle with Marty and another man, played by D.W. Moffett. The network liked the characters, but asked that the show be retooled to eliminate the love triangle and change the Hannah/Marty relationship before ordering it to series. See more »
I agree with the other commentators, this was a really good series. It hearkened back to old Hollywood in so many ways - the repartee, the light touches of comedy, the modern sense of romance. It also seemed to tip its hat to the gentler, more genteel Britcoms of the late 70's. Jamie Lee Curtis was utterly charming, and Richard Lewis - with his neurosis and inability to let anything drop -was her perfect match. And the show really caught that feel of the turn of the decade, post-garish-80's, but pre-slacker-90's.
It says something when a TV show is so well constructed but all one initially remembers is a warm and fuzzy feeling. It means that the show has wormed its way into your heart. This is the case with Anything But Love.
I only have two complaints about the series. First, ABC treated it badly, first in not keeping it in a good time slot, permanently (this was the late 80's, early 90's, when the big three ruled, and a large contributor to a shows success was keeping it in the public's mind by delivering it regularly at a set time), and - having worn down its viewer-ship - canceling the show way too soon. Second, after the first or second season there was a reworking of the show. As with These Friends of Mine/Ellen, this destroyed much of the initial simple charm.
This is one American sitcom I would definitely get on DVD, for I know that I would watch the series over and over again.
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