A movie with no spoken dialogue, it is set against the music and lyrics of Benjamin Britten's "War Requiem" which includes poetry by World War I soldier Wilfred Owen reflecting the horrors ...
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A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to... See full summary »
In this Derek Jarman version of Christopher Marlowe's Elizabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by ... See full summary »
An unseen woman recites Shakespeare's sonnets - fourteen in all - as a man wordlessly seeks his heart's desire. The photography is stop-motion, the music is ethereal, the scenery is often ... See full summary »
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the ... See full summary »
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both ... See full summary »
Queen Elisabeth I travels 400 years into the future to witness the appalling revelation of a dystopian London overrun by corruption and a vicious gang of punk guerrilla girls led by the new Monarch of Punk.
A movie with no spoken dialogue, it is set against the music and lyrics of Benjamin Britten's "War Requiem" which includes poetry by World War I soldier Wilfred Owen reflecting the horrors of war. There is no linear story or dialogue. It's imagery reflects Owen's story, that of other soldiers, and a nurse during World War I. It also includes actual footage of contemporary wars, including World War II, Vietnam, and Angola.Written by
Michel Rudoy <email@example.com>
Brilliant and Evocative Blend of Music and the Cinematographic Art
Jarman to a T: Brilliant, atmospheric, imagistic, eccentric, and sometimes homo-erotic. An incredible blend of one of the great 20th century musical works on (or rather against) war and the cinematographic art.
I've seen this film twice now. Some of the comments given by other reviewers seem to miss the point of the film- it is dark and sometimes jarring. Jarman uses historic footage, color and colorization as a technique to refocus the viewer's eyes and thoughts. Jarman is not interested in narrative so much as building a series of images that take the poem and music to a new place of understanding.
Perhaps this film is not for everyone- but then I would love to tie every politician to his or her chair and force its viewing.
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