A young widower moves with his daughter into a North Carolina mountain town in 1934. He quickly takes up with a young woman with an illegitimate baby. First he must prove himself to her ... See full summary »
Julia, an American woman living in Italy, becomes depressed and traumatized after her husband Paolo is killed in a car accident on their wedding day. Six years later, Julia inexplicably ... See full summary »
Peter Del Monte
A rootless young man's drawn into an unnamed religious cult by a beautiful girl. Every moment with the group causes him to become increasingly under the control of the cult's leader. After ... See full summary »
Sully is the producer of a cable news network program. Christy is his ex-wife and best reporter. Her desire to quit the news business and marry Blaine, a sporting goods manufacturer comes as an innocent man is about to be executed. Sully's attempts to keep her in town and break up her upcoming marriage happen against the backdrop of a botched execution, a prison break and a possible pardon.Written by
John Vogel <firstname.lastname@example.org>
This movie was made and released following on the heels of the 7-time multi-Academy Award nominated and more successful picture, Broadcast News (1987), which had been released a few months earlier. See more »
When Christy is chasing Ike, she loses her shoes, and leaves them behind. However, after catching and directing Ike to the news building, Christy is seen entering the building putting her shoes back on, though she never returned to retrieve them. See more »
It's obvious from the get-go that SWITCHING CHANNELS is a HIS GIRL Friday remake for the '80s (can't escape it, it's beat-for-beat), but the magic of this movie's opening, say, 30 minutes is that the performances of the three stars draw you right in and make you forget the other movie. Kathleen Turner throws herself right into comic absurdity as a cracking- yup news anchor, and Christopher Reeve is one he'll of a vain buffoon. He does it so well. But Burt Reynolds lights up as he stomps around the newsroom, and his back-and-forth patter with Turner is genuinely funny. He even plays the good ol' boy charm to the hilt with a mischievous twinkle on his eye. It's beautiful stuff, I've never seen something like that from him.
But the movie sadly does not maintain this terrific sense of humor, even s the cast is tripping over themselves in the name of screwball mayhem. It's not bad, just that the second half never rises above amusing.
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