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Ingen kan älska som vi (1988)

Anneli is soon to be 17 years old. She lives alone with her mother and can barely remember her father who left the family 10 years ago. One day she receive a letter from her father, who is ... See full summary »

Director:

Staffan Hildebrand
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Cast

Cast overview, first billed only:
Izabella Scorupco ... Annelie
Håkan Lindberg Håkan Lindberg ... Jonny
Anki Lidén ... Annelie's Mother
Stig Engström ... Annelie's Father
Kim Anderzon ... Boarding-house supervisor
Marcus Trapp Marcus Trapp ... Mackan
Mårten Thomasson Mårten Thomasson ... Jonny's Father
Dominik Henzel ... DJ
Ulf Granqvist Ulf Granqvist ... Raffe
Andrej Anderzon-Möller Andrej Anderzon-Möller ... Robin
Patrik Ehrman Patrik Ehrman ... Johnnys lillebror
Thea Östling Thea Östling ... Sanna
Thomas Andersson Thomas Andersson ... Epa-kille
Hans Paulsen Hans Paulsen ... Epa-kille
Patrik Svedberg Patrik Svedberg ... Epa-kille
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Storyline

Anneli is soon to be 17 years old. She lives alone with her mother and can barely remember her father who left the family 10 years ago. One day she receive a letter from her father, who is a helicopter pilot up north. Anneli decides to visit him, but on her way up, she meets Johnny and falls in love. Written by nL <ni_la2000@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

En kaerleksfilm av Staffan Hildebrand

Genres:

Drama | Romance

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Details

Country:

Sweden

Language:

Swedish

Release Date:

12 August 1988 (Sweden) See more »

Also Known As:

Only We Can Love Like This See more »

Company Credits

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Technical Specs

Runtime:

Color:

Color (Eastmancolor)
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Inga kan Älska som Vi
Performed by Grace
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User Reviews

 
Bland 80s love story.
24 July 2006 | by Buster007See all my reviews

Big-city girl goes from flashy(but hollow) Stockholm to northern Sweden to meet her father for the first time in a decade. Once there, things do not work out quite as she expected, but she meets some honest country folk who teach her a thing or two about life.

A predictable, intolerably bland, and simplistic yarn.

However, there is a time-capsule aspect to it that is somewhat interesting. There is so much bad eighties hair and music on display that at least hardcore eighties aficionados will have something to keep them entertained.

This movie makes an interesting double-feature with Jägarna. In Jägarna, the country-bumpkins of the north have more in common with the ignorant inbreds of Deliverance, while in this film they are honest, hard-working, and nice. It makes for an interesting juxtaposition of two different paradigms of the same people.


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