Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Still haunted by his past, Tommy Jarvis - who, as a child, killed Jason Voorhees - wonders if the serial killer is connected to a series of brutal murders occurring in and around the secluded halfway house where he now lives.
After Jason Vorhees was chained to the Bottom of Camp Crystal Lake by Tommy Jarvis. A Young Telekinetic Girl known as Tina Shepherd accidentally killed her Father with her Powers at Crystal Lake. Years Later, Tina and Her Mother return to Camp Crystal Lake, Where Tina's Doctor trys to manipulate her powers for his own evil plans. Tina then trys to ressurect Her Father but Accidentally Awakens Jason Instead. It's now up to Tina to use her Powers to Stop Jason and Her Evil Doctor.
Lar Park-Lincoln did some of her own stunts. Moreover, Park-Lincoln also gave herself migraines by doing the bulk of her own crying. See more »
(at around 26 mins) When Dan is in the woods the amount of wood he is carrying decreases. See more »
When did you first fall in love with me?
The first time I saw the enormous size of your beautiful... wallet.
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The following scenes were removed from the film in order to get an "R" rating rather than an "X":
Jason's face is constantly masked in shadows to avoid shots of his moldy, decomposing face. The complex make-up was made to conform to actor Kane Hodder's face, but was later deleted from nearly the entire movie when the MPAA deemed it "a bit too grisly".
Judy's sleeping bag death was cut to absolutely no gore. In the uncut version Jason slams the sleeping bag against the tree repeatedly until the sleeping bag is soaked in blood.
Maddy's death, which is offscreen in the wide-release version, but in original prints a scythe is jammed into her neck and bursts from the other side.
Ben's death is much grislier. In uncut versions, Jason smashes his head into a mushy pulp and blood pours down his face.
Eddie's death was cut. In the original version, we see his head drop to the floor, but in the theatrical version, we only hear it.
Russ's head splits open as Jason hits it with an axe. This scene was also cut.
Amanda Shepard's death is virtually unseen in the wide release, which only shows her get stabbed from behind for a second and then cuts to Doctor Crew's shocked face. Uncut, she is impaled on the blade, which juts violently from her chest. Jason then lifts her off the ground on it and waits until she finally dies.
Dr. Crews was killed with a tree-trimming saw. Originally, Jason tore into his gut, spilling out a fountain of entrails and blood that spurted up into the air.
Melissa's death has an ax violently cleaving her face in two, splitting it down the middle in a gruesome close-up that left her eyes still wiggling in their sockets. Jason then tossed her aside, which is all we see in the cut release.
Dan's death was also cut. There was a shot of Jason's hand ripping through the front of his body with guts attached.
Tina Shepard has a vision of her mother's demise at Jason's hands while driving a car. Buechler originally wanted the vision to be of Jason holding the severed head of Mrs. Voorhees, but Gulf + Western wouldn't allow it.
A denouement scene was filmed in which a fisherman in a boat on Crystal Lake hooks a largemouth bass, but as he's reeling it in, Jason rises from the lake and pulls him under. The scene was removed from the final cut, because it was deemed too close to the ending of the original Friday the 13th and Part 3.
Michael's death was cut. Originally, Jason rammed the spike all the way through his body, causing blood to spurt out.
Tina's vision of Michael getting killed was also more graphic.
"Friday the 13th Part VII: The New Blood" aka "Jason VS Carrie"- Rise of the Gimmicks!
"Friday the 13th Part VII: The New Blood" is the moment. That singular moment that many media franchises reach where there is a bit of a rift. A fundamental change. Something that will forever alter the way the subsequent remaining entries are perceived.
Yes. This is the infamous moment in any series that can only be referred to as "jumping the shark."
This is where the franchise wholly committed to the concept of each movie injecting a quirky "gimmick" in order to drum up audience interest. Sure, I'd argue that the previous film (the excellent "Jason Lives") probably started the whole notion of the "gimmick entry" with its focus on self-aware, postmodern meta-humor... but this is the film that really solidified the fact that the remaining films would all have that silly, somewhat kitschy quality of relying on a singular contrivance to set it apart.
In this case of course, it's focus on the supernatural storyline of Jason fighting a psychic/telekinetic.
When psychic Tina Shepard returns to Crystal Lake years after accidentally causing the death of her father with her latent abilities, the opportunity to learn and perhaps heal is interrupted when she accidentally releases Jason from his watery grave. Now, she and a group of teen-aged party-goers next door must struggle to survive against the newly revived (and quite angry) hulking killer... leading to an insane and actually quite entertaining final showdown.
The most notable aspect of this entry is probably the introduction of fan-favorite Kane Hodder as Jason- a role he would continue to play for the next few entries in the series. Hodder arguably defined the role, and actually finally gave him a consistent sense of "character" through both physical presence and movement, and through his own behind-the-scenes exploration of what makes Jason tick. Interesting tidbit: Hodder actually refused to film a scene where Jason kicks a dog away from him, because he feels Jason would never actually hurt animals or young children due to his childhood trauma. Granted, this doesn't quite fit in with Part IV, but I like the idea- it shows that Hodder actually tried to build a sense of character and "rules" for Jason to follow.
The film is also quite a bit of fun at times. The whole psychic angle is stupid beyond belief, there's no doubt about it. But it allows for all sorts of cinematic mayhem to ensue, with explosions, nails flying through the air, furniture being flung around... it's great fun to see Jason finally face an adversary in Lar Park Lincoln's Tina that can truly stand up to him and perhaps give him more than he can handle.
But the strong entertainment factor aside, this is a pretty bland entry on the whole to me. It lacks the pure sense of "fun" that the previous film literally oozed alongside the blood and trades it in for what actually becomes a somewhat depressive feel for much of the screen time. Not only in terms of basic tone, but also in the writing and even in the music. It's just kind of... mournful. Many of the characters (especially Tina) seem to have a deep-seeded chip on their shoulder and it's not as compelling as it could be. And the others are all just... ho-hum and often grating, with characters like the generic nasty vain girl getting on your nerves very quickly. You just kinda feel bad for everyone even before they start getting axed off.
That being said, despite being a middling entry in the overall franchise, the good characterization in Jason and the wickedly wild and entertaining battles between Tina and Jason do make it worth a watch for slasher fans. Just don't expect the best entry in the franchise.
I give it a middle-of-the-road 5 out of 10.
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