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A couple finds a baby on their doorstep with a note asking them to temporarily keep it. They take the baby in and care for it as if it were their own. But what if the baby's mom really returns to claim it?
Robert Allan Ackerman
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An abused battered wife has had enough of husband beating up on her. Everywhere she turns for help, there's not much anyone will do. After he rapes her one night, she sets the bed on fire with him in it asleep.
This sprawling bio-pic is about Barbara Hutton, heiress to the immense Woolworth store fortune. She was married 8 times. Cary Grant was one of her husbands. He was the only one to renounce all claims to her fortune, yet the couple were called "Cash and Cary". Hutton's life took her to exotic locales like Denmark and Morocco. Nearly all of her husbands treated her poorly. A social butterfly, she was a bad mother to her only son whose death in a plane crash broke her heart.Written by
It is fashionable to look down on made-for-TV movies. But this one is one of the best examples of such flicks. Despite its length, I watched it fully, because the title character was an interesting person. Farrah Fawcett does a good job playing Barbara Hutton, the much-married Woolworth heiress. Cary Grant, who was, at one time, wedded to her is portrayed as a nice guy, who divorces her because of her partying. Hutton was also married to a sadistic Danish count who tries to steal her fortune. She even renounced her American citizenship in order to live with him. Another of her husbands was Count von Kramm, the Nazi-trained tennis player who failed to win at Wimbledon and suffered consequences in Germany. Hutton discovered that he was bisexual, so she divorced him. Barbara Hutton was an ardent socialite, so she neglected her only son. The movie has her telling him that she could not live with him in Arizona because she was not that kind of mother. Later, when someone calls him a "son of a bitch", he simply says "Exactly"! Probably, the most memorable dialogue in the film!
The film follows Hutton around the world. It is interesting to see the film's depiction of exotic countries in the middle part of the twentieth century.
(Reviewed by Sundar Narayan)
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