Five "city boys" travel to the country to relax by doing some hunting, drinking Bud, and generally having good time. However, the local inbred backwoods psychos turn the hunters into the ... See full summary »
The sister of ex-pimp and current Los Angeles Police detective Kyle York was murdered working the streets a few years ago. Since his reform, he has teamed with Officer Russ Garfield to ... See full summary »
In this spoof of spy films, Alan, a U.N. translator, and his kindergarten teacher wife, Beverly, get roped into helping foil a presidential assassination plot by an unlikely G-man-who just ... See full summary »
Ed Begley Jr.,
The ambitious Betsy is happy: she gets promoted to a leading management position. Her happiness is spoiled only a little by problems with a boyfriend who feels neglected and an harassing ... See full summary »
Arthur Allan Seidelman
Branded a coward for surrendering his New Mexico fort to the Confederates without firing a shot, a Union colonel attempts to redeem himself by leading a band of condemned prisoners on a suicide mission to recapture it.
A young girl who became frustrated in her desire to become an actress starts to work for a telephone-sex company. There she meets a fascinating man who has an obsession for music related ... See full summary »
Michael A. Miranda,
After making a name for herself on the West Coast, a defense lawyer returns to her hometown of Atlanta to argue a controversial rape-murder case. But it's not all work and no play: once ... See full summary »
This TVM directed by Bruce Seth Green has a teleplay which presents the Los Angeles police and the court system ineffectual in the prosecution of criminals, and thereby supports the "Death Wish" vigilantism of the gun-lobby. However writers Robert Crais and David Peckinpah also support the police's stance on citizens owning guns with their claim that most guns are mishandled. The title is explained by a hole in the tip of a bullet which gives it greater striking power, and whilst this applies to the .32 automatic that Linda Purl obtains for self-protection from the attentions someone she has witnessed, it doesn't really double as an effective metaphor for Purl. The problem stems from her acting choice, where she plays her character as a woman with a small emotional range. Perhaps we are to take the cue from her reluctance to commit to her boyfriend who is conveniently absent as an airline pilot, her job where she works with children with developmental disorders, or her overuse of shoulder pads. Purl begins with sociopathic smiling, which soon gives way to Green indulging her in extended reactions, though thankfully her confrontation with Billy Drago as the bad guy has some flawed bravado. It's also probably no coincidence that Yaphet Kotto as the police detective towers over Purl, or that Kotto has a maniacal intensity as well as an odd haircut. The treatment features a security lock being installed (and approved by Kotto) that is easily opened by Drago, a cat after a bowl of Thai fighting fish, Purl having a double nightmare/hallucination, and also a funny edit from a man confidently defending Purl then a cut to him with a bloody nose. Drago has a subtextual relationship with his buddies that hardly seems to coincide with his interest in Purl, and which is represented by rock music.
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