A group of young shopping mall employees stay behind for a late night party in one of the stores. When the mall goes on lock-down before they can get out, the robot security system malfunctions, and goes on a killing spree.
One morning, a young man wakes to find that a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but demands human victims in return.
A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation, but the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
Stan installs satellite TV for his family, but, soon, he picks up a signal from another planet and his television system becomes the gateway between the 2. A creature comes to his apartment and only their son Sherman sees it, but his parents don't believe the boy.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The brief MTV clip shown is of a W.A.S.P. song called Tormentor, and the character O.D. Riley wears a WASP t-shirt. See more »
When Pluthar is talking to Suzy and Sherman, his skin is glossy and reflective of light. Upon learning that the "beast has ingested earthlings," cutting back from Suzy and Sherman, his skin appears dull and muted. See more »
[Raquel watches her exercise program while Stanley works on the satellite dish]
Stanley! Stanley! Quit screwing around... Stanley! Stanley, I'm right in the middle of my program. For Christ's sakes, Stanley!
Lay off me, Beautiful. I almost got this baby wired.
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We're introduced to a family brimming with all the worst trappings of the 1980's; the clichés have been elevated to the absurd and it's to the director, Ted Nicolaou's, credit that, in 1986, he was able to poke so much fun at the decade without the benefit of hindsight. The result is an off-the-wall comedy that feels like a 1950's monster movie, staring 'Leave it to Beaver', as filtered through 'Adult Swim'.
The daughter, Suzy, played by Diane Frankin ('Better Off Dead' / 'Bill & Ted's Excellent Adventure'), has the hair and make-up of an animated Cindy Lauper and an over-the-top valley-girl gab. A very young Chad Allen (you'll recognize him from nearly every family TV show of the late 80's and early 90's), is the war-game-obsessed son. The mother, played by the always fantastic Mary Woronov (Roger Corman's poster girl and star of 'Eating Raoul'), is a distant, self-involved socialite more interested in her exercise videos than her kids. Gerrit Graham ('Phantom of the Paradise' / 'Demon Seed'), hams it up as the swinging (literally) father always on the lookout for the next big thing. Rounding out the family is Grampa, the paranoid vet with a bomb shelter in the basement (Bert Remsen – 'Nashville' / 'Places in the Heart') and Suzy's boyfriend, 'O.D.', the tweaked metal-head dropout played buy 1980's staple, Jon Gries ('Real Genius' / 'Running Scared'). Together, this group inhabits a home that looks like a cross between a sex spa and a Patrick Nagel exhibition on ecstasy.
Wacky from minute one (the theme song being one of the film's high points), the family has just hooked up their new satellite dish while, simultaneously, far across the cosmos, a creature that can only be described as a booger with eyes, is being transported in exile by a humanoid-lizard alien that we don't learn much more about until the film's climax. The monster is mistakenly transmitted to the family's satellite dish and has the ability to escape at will from their TV sets. Nonsense ensues as the monster is able, by transforming its tongue, to impersonate the face and voice of anyone it kills.
The film never really crosses into any straight genre and manages to hover, quite proudly, over 'wonderfully weird'. If all of Hollywood had ostracized, instead of embraced, Tim Burton, this is the kind of live-action cartoon he'd be making.
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