Malcolm Anderson is a reporter for a Miami newspaper. He's had enough of reporting the local murders and so promises his school teacher girlfriend (Christine), they'll move away soon. ...
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A burglar holds a knife to Karen's throat while her husband does nothing. The couple ends befriending the cop that comes. The friendship ends when the cop beats up the culprit. Karen isn't ready to end it. Things get ugly with the cop.
A young widower moves with his daughter into a North Carolina mountain town in 1934. He quickly takes up with a young woman with an illegitimate baby. First he must prove himself to her ... See full summary »
Malcolm Anderson is a reporter for a Miami newspaper. He's had enough of reporting the local murders and so promises his school teacher girlfriend (Christine), they'll move away soon. Before Malcolm can hand in his notice, the murderer from his latest article phones him. The murderer tells Malcolm that he's going to kill again. The phone calls and murders continue, soon Malcolm finds that he's not just reporting the story, he is the story.Written by
Originally the source material was in a yet unpublished novel form, written by John Katzenbach in 1982. The manuscript then landed on Producer David Foster's desk. Foster optioned it as a film, and the property then got published as a novel named "In The Heat of Summer". See more »
Malcolm and Christine have an argument at a restaurant, and Christine leaves. Malcolm waits to pay the bill then leaves. He sees the message "TOOK A CAB" written in the condensation on the windshield. This was supposedly written by Christine when she left, but at the beginning of the scene, before she leaves, we see a shot of the car with the message already written in the windshield. See more »
Have you ever noticed the older you get the smaller you become?
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Based on the John Katzenbach story "In the Heat of the Summer", this Florida-lensed crime thriller does hold ones' attention with its straightforward telling of an interesting tale. Kurt Russell is aces as Malcolm Anderson, a star reporter for the Miami Journal who is contacted by a murderous psychopath (Richard Jordan) who has killed once and who promises that there will be other murders. The killer, who craves the spotlight, decides to use Anderson as his mouthpiece, creating a very uneasy "collaboration" between killer and reporter. Things start to really turn South when Anderson starts getting the bulk of the attention, leaving the killer feeling resentful. This is a solid set-up for a movie that ultimately does indeed lose a fair deal of its impact by turning conventional for its final act, but until then it's solidly entertaining, with the performances of Russell and Jordan serving as effective anchors. The give and take between their two characters is compelling stuff, and it's a good thing that Anderson isn't treated as some typically infallible movie hero. The supporting cast is mostly strong; Mariel Hemingway as Anderson's schoolteacher girlfriend Christine is appealing as she always is, but her character has little to do besides look and act concerned and eventually be put into peril. Richard Masur (reunited, along with producers Lawrence Turman and David Foster, with Russell after "The Thing") is Anderson's editor, Andy Garcia (in one of his earliest movie roles) and Richard Bradford are the weary detectives on the case, Joe Pantoliano is a photographer, and the almighty movie tough guy William Smith appears briefly as a character supplying critical information. The Miami setting adds a lot of ambiance, especially as the storms start coming up towards the end of the story. Lalo Schifrin's music is also highly effective. Even in light of the clichéd climactic confrontation, there is some enjoyable resonance to "The Mean Season" as it deals with the big issue of journalistic culpability, and the role that the media play in our receipt of the news. An overall grim feel to the presentation, and an atmospheric opening, are also assets in this generally good, if not great, and reasonably convincing movie. Seven out of 10.
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