Go on a cross country adventure with Cher in her first dramatic film, Chastity. Chastity ('Cher') is a lonely young girl who is hitchhiking across the country in hopes of finding someone to... See full summary »
The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the... See full summary »
Rusty Dennis (Cher) is the mother of Rocky (Eric Stoltz), a seriously deformed, but extremely intelligent and emotionally warm teenager. Rusty is a no-nonsense mother whose wild lifestyle is often at odds with her tenderness and protectiveness towards Rocky. She is determined that Rocky be given the same chances and happiness that everyone else takes for granted.Written by
Murray Chapman <email@example.com>
When Cher opens her beer can in the camping scene near the beginning of the movie, the can has a stay tab. These were not used on cans until the 80s. Cans prior to then used pull tabs. See more »
[after Rocky gave impressive speech on how the Trojan War started]
That wasn't bad, Dennis. How about you tutor me?
Yeah. Cooley almost failed me last year.
Ok. But it will cost you $3 an hour.
[classroom falls silent and looks back at the two because of the sudden outburst]
It's a deal.
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The Director's Cut print runs around 7 minutes longer and includes a scene where Rocky & Rusty sing around a bonfire, and the funeral of cyclist Red (his motorbike is buried beside him). It also replaces the Bob Seger songs with those of Bruce Springsteen. See more »
I saw this film on TV, and it really affected me, because it was so different from most of the cliche-ridden dramatic films. It didn't really fit any "genre", because the situation and characters were so different. They were truly American, bikers with a bit of bravado but underlying sensitivity and compassion, and sense of community. It makes sense that this was a true story. I thought both Stoltz and Cher did magnificent acting jobs, although Stoltz really carried the film, with his understated sense of irony and his willingness to help others, even though inflicted with such a stigma. I agree that he should have been bullied more if this was reality, yet Bogdanovich took a great risk in the superficial culture of celluloid, to devote an entire film to someone with an ugly, deformed face. Often, it was hard to look at him, and brought up questions about my own superficial judgments of people according to their appearances. I am saddened and at the same time, inspired, to hear this was a true story. Belated congratulations and thanks to all involved with this problematic, yet ultimately, encouraging, work.
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