Détective (1985) - News Poster



Close-Up on Jean-Luc Godard's "The Rise and Fall of a Small Film Company"

Close-Up is a feature that spotlights films now playing on Mubi. Jean-Luc Godard's The Rise and Fall of a Small Film Company (1986), which is receiving an exclusive global online premiere on Mubi, is showing July 13 - August 12, 2018 as a Special Discovery.Alfred Hitchcock may have been the one who famously likened actors to cattle, but leave it to Jean-Luc Godard to actually depict the analogy. Throughout Godard’s Grandeur et décadence d’un petit commerce de cinéma (The Rise and Fall of a Small Film Company), his comic 1986 contribution to the multinational “Série noire” program, the iconoclastic French auteur pokes and prods a roundup of filmmaking measures, from the casting corral and the necessary financial wrangling to the ever-evolving technical wilderness of modern media. Recently born again into the world of narrative filmmaking, Godard began the 1980s with Sauve qui peut (la vie), a release he dubbed his “second first film.
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The Reality of a Reflection: An Exploration of Jean-Luc Godard's Filmography

  • MUBI
Mubi's retrospective For Ever Godard is showing from November 12, 2017 - January 16, 2018 in the United States.Jean-Luc Godard is a difficult filmmaker to pin down because while his thematic concerns as an artist have remained more or less consistent over the last seven decades, his form is ever-shifting. His filmography is impossible to view in a vacuum, as his work strives to reflect on the constantly evolving cinema culture that surrounds it: Godard always works with the newest filmmaking technologies available, and his films have become increasingly abstracted and opaque as the wider culture of moving images has become increasingly fragmented. Rather than working to maintain an illusion of diegetic truth, Godard’s work as always foreground its status as a manufactured product—of technology, of an industry, of on-set conditions and of an individual’s imagination. Mubi’S Godard retrospective exemplifies the depth and range of Godard’s career as
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Movie Poster of the Week: The Lesser-Known Posters of Jean-Luc Godard

  • MUBI
To accompany the exhaustive retrospective of the films of Jean-Luc Godard (49 programs in 21 days) that started as part of the New York Film Festival and runs through the end of October, I had planned to select my ten all-time favorite posters for Godard’s films. But when I sat down to the task and laid out the ten I’d chosen in front of me, the result was a selection of posters so overly familiar as to be banal. It looked like the postcard rack of any film bookstore in Paris. Much as I had hoped to choose less obvious designs, when it came down to it the posters created for Godard’s films in the 60s are hands down among the greatest film posters ever made: Clément Hurel’s Breathless, Chica’s Une femme est une femme, Jacques Vaissier’s Vivre sa vie, Georges Kerfyser’s Band à part and Une femme mariée,
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A Talk by Caroline Champetier

  • MUBI
This is a talk given by French director of photography Caroline Champetier at the La Roche-sur-Yon International Film Festival in October 2012, originally published in two parts on the festival’s site (www.fif-85.com). This translation is being published with their kind permission. This year's festival will take place from October 16-21, Kelly Reichardt will be the guest of honor. Many thanks to Emmanuel Burdeau, programmer of the festival, Jordan Mintzer and Caroline Champetier.

Caroline Champetier: I’ve always tried to take a step back from what I’m doing. The more I work, however, the less I’m able to deal with this exercise. I just finished production on Claude Lanzmann’s The Last of the Unjust and have barely said goodbye to David Teboul, a young director who I worked with on Cinq avenue Marceau (2002), a film I think very highly of and that’s about Yves Saint Laurent’s last collection.
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Laurent Terzieff obituary

'Dostoevskian' French actor with an aura of tormented youth

With his emaciated but hypnotically handsome face and lithe body, the French actor Laurent Terzieff, who has died of respiratory infection aged 75, graced the stage and films for more than half a century. There was always an aura of tormented youth about Terzieff which he carried into the classic roles of his maturity such as Luigi Pirandello's Henry IV (1989) and Shakespeare's Richard II (1991). His perfect diction and rhythmic precision made his rendering of Jean Cocteau's narration of Stravinsky's Oedipus Rex in Bob Wilson's production at the Théâtre du Châtelet in 1996 particularly exciting.

Terzieff's special talents were used by many of the great theatre producers of the day: Jean-Louis Barrault, Peter Brook, Roger Planchon, Maurice Garrel, Roger Blin and André Barsacq. He also directed dozens of plays, many at the Théâtre du Lucernaire in Montparnasse. Paradoxically, given his tormented persona as an actor,
See full article at The Guardian - Film News »

Interview: Julie Delpy

  • Like all great French actresses, Julie DelpyJulie Delpy
[/link]’s performances burn through screens into the hearts of cinemaphiles everywhere. It’s not just her blonde locks or her milky skin that attracts viewers, but her ability to fine-tune a performance to the most miniscule nuance. Delpy made her screen debut under the direction of cinema maestro Jean Luc-Godard in Détective. Since then she has gone on to work with a slew of famous directors including Lasse Hallström Richard Linklater, and Krzysztof Kieslowski. Although born in France by two actors who play themselves in the film, Delpy cannot be claimed exclusively by the Parisians, for she is an internationally recognized icon of great cinema. 2 Days in Paris marks Delpy's sophomore feature effort and the film is a throwback/critique on New Wave romances mixing comedy, drama and depicting Paris in a not-so-romantic light. The film centers on bickering couple Marion and
See full article at IONCINEMA.com »

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