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Micki + Maude (1984)

PG-13 | | Comedy, Romance | 21 December 1984 (USA)
A bigamist must keep his wives from meeting each other, which becomes tricky when they're both pregnant.

Director:

Blake Edwards
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Won 1 Golden Globe. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Dudley Moore ... Rob Salinger
Amy Irving ... Maude Salinger
Ann Reinking ... Micki Salinger
Richard Mulligan ... Leo Brody
George Gaynes ... Dr. Eugene Glztszki
Wallace Shawn ... Dr. Elliot Fibel
John Pleshette ... Hap Ludlow
H.B. Haggerty ... Barkhas Guillory
Lu Leonard Lu Leonard ... Nurse Mary Verbeck
Priscilla Pointer ... Diana Hutchison
Robert Symonds ... Ezra Hutchison
George Coe ... Governor Lanford
Gustav Vintas ... Dr. Kondoleon
Ken Olfson ... Interior Decorator
Philippe Denham ... TV Cameraman
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Storyline

TV reporter Rob Salinger is married to Micki, but because she's always busy working, they hardly ever spend time together. One night at which he got stood up by Micki again, Rob meets cellist Maude and they soon get romanticly involved. When it turns out Maude is pregnant with his baby, Rob decides to marry Maude. When he's on the verge of telling Micki, she tells him she's pregnant, so he doesn't have the heart to leave her, but he marries Maude anyway. Now married to two pregnant women who don't know about each other, Rob has a busy time taking care of both and keep them from finding out. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Plot Synopsis

Taglines:

Micki was the only woman he ever wanted to marry. Until he met Maude. So, he did what any honorable man would do. He married them both.

Genres:

Comedy | Romance

Certificate:

PG-13 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

21 December 1984 (USA) See more »

Also Known As:

Micki & Maude See more »

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Box Office

Budget:

$15,100,000 (estimated)

Opening Weekend USA:

$2,742,458, 25 December 1984

Gross USA:

$26,080,861

Cumulative Worldwide Gross:

$26,080,861
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film's title refers to the two female characters who Dudley Moore marries both in this love-triangle boudoir-farce. This Blake Edwards movie substitutes the "love fantasy" of Moore having a beautiful younger woman in Moore and Edwards' earlier 10 (1979) with the "love fantasy" of Moore having two women in this film. See more »

Goofs

When the wives go to the OB/GYNE they go into rooms next to each other. Micki goes into an exam room on the right with the nurse's desk clearly to the right. However, when she is seen exiting, she exits an exam room that is blocked by the nurse's desk area. See more »

Quotes

Micki Salinger: Get off the bed, kitty.
See more »

Alternate Versions

CBS edited 22 minutes from this film for its 1987 network television premiere. See more »


Soundtracks

On the Sunny Side of the Street
Written by Dorothy Fields and Jimmy McHugh
Performed by Frank Sinatra
Courtesy of Capitol Records, Inc.
See more »

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User Reviews

 
A bright spot in Moore's erratic movie career...
6 October 2015 | by moonspinner55See all my reviews

A television reporter, married to a lawyer, falls for another sharp lady, a lovely musician. Before he knows it, he has two wives...and both are pregnant! By 1984, Dudley Moore's film choices (mostly comedies) were starting to congeal, and with each new release came a sigh of resignation that he was never going to be Arthur again. Blake Edwards (who directed in Moore in "10") allows his star too much time to work his way into comedic fitful states, and continually dotes on Moore as the diminutive actor scurries from room to room. Still, this screenplay by Jonathan Reynolds has a witty edge (and Edwards, naturally, embraces its wild slapstick bent), resulting in some very bright, often very funny sequences. As the ladies in Dudley's life, Ann Reinking and Amy Irving are both terrific, helping Moore and Edwards turn out their best film in years. **1/2 from ****


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