This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.
The story about a couple who do not want to have children of their own, and a pregnant, single woman who needs a home for a while, the relationship between the three protagonists is strange, at the very least.
After a lecture where a poem is read out to a group of bored students, the alcoholic and sex addicted poet, Charles Serking, meets a young girl backstage. Then he travels to Los Angeles, and has sex with bizarre women. When Charles meets the gorgeous self-destructive prostitute Cass in a bar, he finds his soul mate and falls in love for her.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In one of several of Charles Bukowski's book of letters, he noted that, before production began, Ben Gazarra had great eyes. After the movie came out, however, he didn't have much good to say about it. See more »
[Lustfully to Charlie]
Now, give it to me! Take my soul with your cock!
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Masterful vision of a man enslaved by sexual and alcoholic gluttony
Spectacularly sleazy, beautiful, boisterous and sexy, this is the real Bukowski deal, a booze-fueled erotic odyssey by the adventurous Ferreri with the perfectly cast Ben Gazzara as Charles Serking (Bukowski).
Ornella Muti, as Serking's sexual muse, is Venus incarnate and turns in a powerhouse performance as Cass, an emotionally damaged whore with a penchant for pain. The scenes of Gazzara swaggering in and out of LA's fleapit bars, apartments and hotel rooms convey a filthy, delirious ambiance that is vividly captured by Tonino Delli Colli's superb cinematography and Dante Ferretti's exquisitely oily production design. This is such an amazing looking film with a thick, steamy, anything-goes atmosphere of lust-ridden anarchy.
Much grittier than the accomplished "Barfly" and more watchable than "Love Is A Dog From Hell", the entire affair has an emotional, raw resonance that slavishly captures the Bukowski sensibility and remains consistently perverse in its singular vision of a man enslaved by alcoholic and sexual gluttony.
Phillipe Sarde's score is moody and rich, as is Gazzara's breathy voice-over.
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