Set ten years after the most peaceful revolution in United States history, it presents a dystopia in which the issues of many groups - minorities, liberals, gay rights organizations, feminists - are dealt with by the government.
Cheryl is young, Black, and lesbian, working in Philadelphia with her best friend Tamara and consumed by a film project: to make a video about her search for a Black actress from Philly who... See full summary »
Languid look at the Gullah culture of the sea islands off the coast of South Carolina and Georgia where African folk-ways were maintained well into the 20th Century and was one of the last ... See full summary »
A day in the life of several prostitutes in an upscale Manhattan whore house. The film is a stark portrayal of the women prostitutes, the male customers and the motivations of both. Watch ... See full summary »
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in ... See full summary »
T. Wendy McMillan
Features Haraway in a playful and engaging exploration of her life, influences, and ideas. Best-known for her ground-breaking work on gender, cyborgs, animals and post-colonialism, Haraway ... See full summary »
"Punishment Park" is a pseudo-documentary purporting to be a film crews's news coverage of the team of soldiers escorting a group of hippies, draft dodgers, and anti-establishment types ... See full summary »
Set ten years after the most peaceful revolution in United States history, a revolution in which a socialist government gains power, this films presents a dystopia in which the issues of many progressive groups - minorities, liberals, gay rights organizations, feminists - are ostensibly dealt with by the government, and yet there are still problems with jobs, with gender issues, with governmental preference and violence. In New York City, in this future time, a group of women decide to organize and mobilize, to take the revolution farther than any man - and many women - ever imagined in their lifetimes.Written by
Gary Dickerson <firstname.lastname@example.org>
Eric Bogosian made his first screen appearance in this film. He is one of the TV technicians who is forced at gunpoint to play the Women's Army videotape on the air. See more »
Police have been puzzled in the last week by what they describe as well-organized bands of 15 to 20 women on bicycles attacking men on the street. While the victims have claimed that these incidents were unprovoked, eyewitness reports have led investigators to believe that these men may themselves have been attempting to assault women. However, officials have condemned the lawlessness of such vigilante groups and asked for information leading to the arrests of the women involved.
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Wheels of Life
written by Joe Valentine and Johnny Terry
performed by Lyn Collins See more »
Even almost 20 years after its release, "Born In Flames" retains its sense of urgency and immediacy. This is due both to the energy of the performances, soundtrack and direction and to the fact that most of the women's demands in the film - including equality in the workplace, safety from harrasment and sexual crimes, and equal representation in government - still have not been met.
One of the film's greatest achievements is its representation of the divisions and debates within feminism. The film does not try to offer a single solution or plan of action as a definitive best way forward and so avoids tempting over-simplification of a complex set of issues. Rather than negative or unhelpful, I found this approach incredibly refreshing in a medium rife with happy endings and simple, fictional solutions.
"Born In Flames" doesn't have an answer, but it has many, many questions and many, many voices. These voices and the regular delivery of discourse straight to camera and audience has regularly led to critical disapproval and claims that it is "overly polemical". I don't find "Born in Flames" overly polemical. I don't agree with many of the opinions and strategies given voice and action in the film, but I found the experience of being directly addressed by a female character on issues that are largely invisible in mainstream cinema energising and inspiring. This film won't change the world, but it made me start writing for my fanzine again and get on the phone to my bandmates to get a practice organised. Enough films, debate, writing, and noise, and we'll get somewhere.
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