An American missionary and his wife travel to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
George Roy Hill
Max von Sydow,
The bumbling Inspector Clouseau travels to Rome to catch a notorious jewel thief known as "The Phantom" before he conducts his most daring heist yet: a princess' priceless diamond with one slight imperfection, known as "The Pink Panther".
In 1934 Paris, trained coloratura soprano Victoria Grant, a native Brit, can't get a job as a singer and is having trouble making ends meet. She doesn't even have enough money for the basics of food and shelter. Gay cabaret singer Carole 'Toddy' Todd may befall the same fate as Victoria as he was just fired from his singing gig at a second rate club named Chez Lui. To solve both their problems, Toddy comes up with what he considers an inspired idea: with Toddy as her manager, Victoria, pretending to be a man, get a job singing as a female impersonator. If they pull this scheme off, Toddy vows Victoria, as her male alter ego, will be the toast of Paris and as such be extremely wealthy. That alter ego they decide is Polish Count Victor Grazinski, Toddy's ex-lover who was disowned by his family when they found out he was gay. The Count auditions for the city's leading agent, Andre Cassell, who, impressed, gets him a gig performing in the city's best nightclub. In the audience on the ...Written by
Included among the American Film Institute's 2000 list of the Top 100 Funniest American Movies. See more »
The song Norma sings in the nightclub, "Chicago, Illinois," includes the line "maybe some day we'll have an airport." The movie is set in 1933. Midway Airport began operations in 1927 and by 1929 was considered "the world's busiest airport" with over 100,000 passengers annually. See more »
Oh, god... there's nothing more inconvenient than an old queen with a head cold.
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The opening credits are a montage of Art Deco illustrations, with most of them reflecting the functions of the credited persons. See more »
First of all, let me just say that I am slightly obsessed with Julie Andrews and her work. With that out of the way... I love her in this movie because it's not your typical Julie Andrews movie. Most people see her in The Sound of Music or Mary Poppins or (if you know this far back in her career) Cinderella. However, she delivers a flawless performance as Victor/Victoria. The only skepticism I have about this movie is seeing her as a man. She's so feminine (in her mannerisms, voice, appearance, etc.) that it's almost impossible to think that she's a man. Robert Preston is wonderfully funny, and I always love James Garner. The movie probably could have done without Lesley Ann Warren's song and dance number (why ruin Julie and Robert's wonderful score?)... On a side note, Warren's character reminded me a bit of Jean Hagen's Lina Lamont in Singin' in the Rain; they each had their characters down perfectly, and you got just annoyed with them enough to hate them but like them at the same time...
Of course, Andrews does a beautiful job with all the songs- my favorite being her first jazz number. All in all, an impossibly wonderful performance by all involved.
DEFINITELY ten out of ten!
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