To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
The bumbling Inspector Clouseau travels to Rome to catch a notorious jewel thief known as "The Phantom" before he conducts his most daring heist yet: a princess' priceless diamond with one slight imperfection, known as "The Pink Panther".
Fu Manchu's 168th birthday celebration is dampened when a hapless flunky spills Fu's age-regressing elixir vitae. Fu sends his lackeys to round up ingredients for a new batch of elixir, ... See full summary »
The Pink Panther diamond is stolen once again from Lugash and the authorities call in Chief Inspector Clouseau from France. His plane disappears en-route. This time, famous French TV reporter Marie Jouvet sets out to solve the mystery and starts to interview everybody connected to Clouseau. Each interviewee Dreyfus, Sir Charles and Lady Lytton (an ex-wife of Clouseau), George Lytton, Hercule Lajoy (assistant in "A Shot In The Dark"), and Cato tell of their run-ins with Clouseau. She is also kidnapped by mobster Bruno Langlois who doesn't want Clouseau found but she continues and finds Clouseau Sr., Clouseau's father. Is Clouseau alive or is he dead? Each interview has not-yet-seen or famous clips from the previous movies (since Peter Sellers had sadly passed away) as Marie continues to get a honest view or impression of the great French detective.Written by
Lee Horton <Leeh@tcp.co.uk>
Clouseau's father tells the reporter, around 1:26:20, "My son, Jacques Clouseau, was born September 8th, 1920." This is the same birthday that Peter Sellers has, except he was born five years ahead of Clouseau's. See more »
Inspector Drummond's telephone switches position in between shots of him calling Dreyfus and Dreyfus talking to Drummond. See more »
Blake Edwards was not interested in doing a "tribute" to the late Peter Sellers with this movie. What he wanted to do was find a way to milk more money out of the property by first setting us up with a "Clouseau disappears" movie to squeeze the last nickel out of Sellers posthumously and then hope audiences would come back for the dreadful follow-up with Ted Wass and he could then get some more movies out of it. For the first half, we have half a plot by using old Sellers outtakes and then when he runs out it turns into a "tribute" by spotlighting old clips. What I remember so vividly when I saw this movie in the theaters was how after the outtakes ended, absolutely no one in the theater laughed for the last half of the movie.
If Edwards wanted to do a proper "tribute" he would have taken these Sellers outtakes (which are funny) and put them back into longer directors cut versions of the Panther films they were originally intended for (one outtake finally clears up why Clouseau keeps referring to Colin Blakely as "Sergeant Yard" in "Pink Panther Strikes Again"). The end result would have pleased everyone as a proper tribute to Sellers' genius and when Edwards used to know how to make a funny movie. Unfortunately Edwards wasn't bright enough to think of a sensible idea like that.
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