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One from the Heart (1981)

A couple has a fight after living together 5 years in Las Vegas. They go out and celebrate 4th of July, each with a new partner. Breakup?

Director:

Francis Ford Coppola (as Francis Coppola)

Writers:

Armyan Bernstein (screenplay), Francis Ford Coppola (screenplay) (as Francis Coppola) | 1 more credit »
Nominated for 1 Oscar. See more awards »

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Cast

Cast overview, first billed only:
Frederic Forrest ... Hank
Teri Garr ... Frannie
Raul Julia ... Ray
Nastassja Kinski ... Leila (as Nastassia Kinski)
Lainie Kazan ... Maggie
Harry Dean Stanton ... Moe
Allen Garfield ... Restaurant Owner (as Allen Goorwitz)
Jeff Hamlin Jeff Hamlin ... Airline Ticket Agent
Italia Coppola Italia Coppola ... Couple in Elevator
Carmine Coppola ... Couple in Elevator
Edward Blackoff Edward Blackoff ... Understudy
James Dean James Dean ... Understudy
Rebecca De Mornay ... Understudy (as Rebecca de Mornay)
Javier Grajeda ... Understudy
Cynthia Kania ... Understudy
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Storyline

Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Frannie leaves down-to-earth Hank on the anniversary of their relationship. Each one of them meets their dream mate, but as bright as they may seem, they are but a stage of lights and colors. Will true love prevail over a seemingly glamorous passion? Welcome to Coppola's Broadway-like romantic musical. Written by umyde

Plot Summary | Add Synopsis

Taglines:

The Francis Coppola classic that audiences never had the chance to see [re-release] See more »

Genres:

Drama | Musical | Romance

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Site

Country:

USA

Language:

English | German

Release Date:

11 February 1982 (USA) See more »

Also Known As:

One from the Heart See more »

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Box Office

Budget:

$26,000,000 (estimated)

Opening Weekend USA:

$389,249, 14 February 1982

Gross USA:

$636,796

Cumulative Worldwide Gross:

$636,796
See more on IMDbPro »

Company Credits

Production Co:

Zoetrope Studios See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby (35 mm prints)| 70 mm 6-Track (70 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In order to make the signs for the miniature Las Vegas scenes work, neon artists Larry Albright and Bill Concannon needed to develop a process for making neon signs where the tubing was 2mm in diameter. (By comparison, most neon signage is between 10mm and 18mm, where most of the tubing on the Las Vegas strip is 15mm.) Custom glassblowing burners, electrodes, and other hardware needed to be fabricated from scratch. Amazingly enough, many of the pieces produced still work today. See more »

Goofs

In the last scene, when Frannie returns home, you can see the camera rails covered with the carpet of the living room making two lumps that Frannie has to overcome by raising her feet to approach Hank when the traveling begins. See more »

Quotes

Hank: If I could sing, I'd sing. I can't sing, Frannie!
See more »

Connections

References Citizen Kane (1941) See more »

Soundtracks

Tom's Piano Intro
Written by Tom Waits
Performed by Tom Waits
See more »

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User Reviews

 
The musical beauty of romance, as only Coppola or Woody Allen could picture it
5 November 2002 | by umydeSee all my reviews

I have never been in the United States, least of all in New York. But through some directors' works I have built up an image of the city that never sleeps that's made of jazz, petty crooks and gangsters, Godard-lovers, intellectual wanna-be socialite... For all I know, New York is what can be seen through the eyes of Woody Allen, Martin Scorsese... and Francis Ford Coppola.

I would pretty much compare ONE FROM THE HEART to Allen's MANHATTAN, in the sense that both are new-yorkers visions of romance and beauty, filtered through a broadway theatrical and glamorous sensibility. This film, however, unlike MANHATTAN, isn't about New York. It's about spining through the spotlights of a city that parties all night long (cabarets, jazz, dance and magical flirts), only to realize that in the end, it's going to be your simple significant other waiting for you in the backstage.

The staging of the whole movie helps a lot, in the sense that's it's all filmed in studio. Magical skies and dawns that make it easy to pass from a store-window directly to a sunset in Bora-Bora; lust and life and music in what I would consider the last great musical. Every once in a while, Coppola gives us a glimpse of his more passionate side. This would then be the sunny side of the melancholic DRACULA.

Add to the magical staging the nightly cabaret-like musical score by Tom Waits and Crystal Gayle and one can't help but be amazed with it all. And I thought I was surprised by Woody Allen's EVERYONE SAYS I LOVE YOU.

If this is the way new-yorkers see life, that's the city I want to live in.


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