Oddball cop and tough guy, Jack Cates is the only survivor of a cop shooting and in hunting down the murderer collects Reggie Hammond from jail for 48 hours. Hammond is oddly motivated to help. The killer is searching for his stash of cash. Cates and Hammond who have the Black-white, cop-crook thing to work out make surprisingly good partners as they navigate through the city looking for their suspect.Written by
John Vogel <email@example.com>
The boys are back in town. Nick Nolte is a cop. Eddie Murphy is a convict. They couldn't have liked each other less. They couldn't have needed each other more. And the last place they ever expected to be is on the same side. Even for... 48 HRS See more »
While in the bar the bartender says that Ganz's girlfriend lives up the street where Chinatown starts. The movie takes place in San Francisco while the bar they leave from called Torchy's which was in Los Angeles. See more »
Zagnut bar changes directions when Jack hands it to Reggie. See more »
[after Haden has finished his tirade against Cates]
Don't you think you're being a little too hard on the guy?
You go fuck yourself, convict!
See more »
T.V. versions has two extra scenes. One featuring a walk with Nick Nolte and Annette O'Toole and a scene that occurs after the shootout at the B.A.R.T. Station between Cates and the Police Chief. The Chief tells him that Internal Affairs is on his back. Other scenes are extended by a few seconds and Denise Crosby is wearing a bra and panties in the T.V. version instead of being naked. See more »
Pretty entertaining thanks to great performances from the two leads...
It's the chemistry between Nolte and Murphy that makes this work, plus the fact that both men really attempt to 'get into the skin' of their character, something mostly ignored in other examples of this genre. Director Hill knows he's got a great team in front of the camera, and all that remains is for him to incorporate some spectacular action sequences around them. This he does competently. That one-two punch is what gives the movie its fireworks.
The banter and situations concerning the characters are also gleefully un-PC. It'd be interesting to see what a studio and director would make of the same premise in these 'enlightened' times. Murphy's comic stage persona is less restrained here than it would be in later films, and the results are often shamefully funny.
Don't expect Shakespeare, there's far too much cursing and other unsavoury shenanigans going on for that; do expect a pacy and entertaining early example of the 'buddy thriller'.
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