Fritz the Cat may have lost one of his lives in the comics, but in his new movie, he has eight more lives left to go! While his wife screams at him, Fritz lights up a joint and reminiscences about what could have been.
An astronaut brings home a glowing green orb for his daughter. However, the green orb wipes him out and corners the girl for its purposes. Claiming to embody ultimate evil, the malevolent sphere, known as the Loc-Nar, terrorizes the little girl by showing a series of bizarre and fantastic stories it has influenced. The first is "Harry Canyon", a cynical taxi driver in a squalid futuristic New York who finds himself involved with a damsel in distress who is relentlessly pursued by murderous thugs who desire the Loc-Nar her archaeologist father found. The second is "Den", which chronicles the adventures of a nerdish teenager who is thrown into the fantasy world of Neverwhere, where he is transformed into a handsome muscleman, desired by beautiful women, who must get involved in a conflict revolving around possession of the Loc-Nar. The third is "Captain Sternn", where the title character is a handsome but irredeemable scoundrel who stands accused in a trial that the Loc-Nar throws into ...Written by
Kenneth Chisholm <firstname.lastname@example.org>
As the barbarians overrun the city of Kraan, the structure where the council chamber is located resembles the helmets worn by the two men on the cover of Black Sabbath's album "Never Say Die!" (1978) - the last album the band recorded with lead singer Ozzy Osbourne before he left to start his successful solo career in. Black Sabbath, with Ronnie James Dio singing, are featured on the soundtrack with their songs "E5150" and the title track from their album "Mob Rules" (1981). See more »
In the "Den" story, the Queen gets up nude after sex, then is suddenly wearing a blue loincloth-type garment. See more »
A shadow shall fall over the universe, and evil will grow in its path, and death will come from the skies.
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The rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo. See more »
In advance work-in-progress screenings for Heavy Metal, the music for the sequence "B-17" (also known as "Gremlins") opened up with a dark and lush orchestral passage by Elmer Bernstein. But when the brilliant segment "Neverwhere", which was to be three minutes accompanied by a song, was decided to be deleted from the release prints and Columbia had to figure out somewhere to put this, they replaced Bernstein's opening score passage with the song. See more »
I'd imagine a lot of people commenting on this site are within a certain demographic and age group as am I. I notice quite a few comments from people who were in their teens when they saw this movie and identified with it and now who cannot fathom it. To them I say, it's not for you now. It was for you then. This is one of those movies that is aimed at people from the ages of 16 to 20 who are just starting to see what the world is about and what a difference they can make if they try. It's about having dreams and pursuing them and it's about making sure that you don't get carried away in the process. It gives you an idea of what awaits you in the wide world and yet it tells you that if you hold true to what you are and make things happen you will get what you want out of life in the end. Now, the animation isn't as good as even the old Batman/Tarzan Saturday morning cartoons of the 70's, but it has style for days. The soundtrack has become a top selling CD although released years afterwards. The voice characterizations are as good as any animated film ever made. And last but not least, it has John Candy, who, in my book, just has to show up to make a movie. Whether you stay to watch the rest of that particular movie is entirely up to you ... 9 out of 10.
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