7.6/10
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73 user 44 critic

Christiane F. (1981)

Christiane F. - Wir Kinder vom Bahnhof Zoo (original title)
This movie portrays the drug scene in Berlin in the 1970s, following tape recordings of Christiane F. 14-year-old Christiane lives with her mother and little sister in a typical multi-story... See full summary »

Director:

Uli Edel (as Ulrich Edel)

Writers:

Uli Edel (additional writer), Kai Hermann (book) | 2 more credits »
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2 wins. See more awards »

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Cast

Cast overview, first billed only:
Eberhard Auriga Eberhard Auriga ... Alter Fixer
Natja Brunckhorst ... Christiane
Peggy Bussieck Peggy Bussieck ... Puppi
Lothar Chamski Lothar Chamski ... Rolf
Rainer Woelk Rainer Woelk ... Leiche (as Rainer Wölk)
Uwe Diderich Uwe Diderich ... Klaus
Jan Georg Effler Jan Georg Effler ... Bernd
Ellen Esser Ellen Esser ... Kessis Mutter
Andreas Fuhrmann Andreas Fuhrmann ... Atze
Thomas Haustein Thomas Haustein ... Detlev
Lutz Hemmerling Lutz Hemmerling ... Bienenstich
Daniela Jaeger Daniela Jaeger ... Kessi
Bernhard Janson Bernhard Janson ... Milan
Jens Kuphal Jens Kuphal ... Axel
Christiane Lechle Christiane Lechle ... Christianes Mutter
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Storyline

This movie portrays the drug scene in Berlin in the 1970s, following tape recordings of Christiane F. 14-year-old Christiane lives with her mother and little sister in a typical multi-story apartment building in Berlin. She's fascinated by 'The Sound', a new disco with the most modern equipment. Although legally she's too young, she asks a friend to take her. There, she meets Detlef, who's in a clique where everybody's on drugs. Step by step she gets drawn deeper into the scene. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Add Synopsis

Taglines:

You'll never forget her... See more »

Genres:

Biography | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

West Germany

Language:

German

Release Date:

2 April 1981 (USA) See more »

Also Known As:

Christiane F. See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Budget:

DEM 4,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

The movie featured the music of David Bowie who even appeared in the film in concert sequences. His involvement with the picture helped its awareness and box-office. Nearly all the songs on the film's soundtrack were written or co-written by Bowie. According to the film's source book, Christiane F. in real life had had her first experience with heroin at a Bowie concert and this fact was reiterated as a story element in the film. See more »

Goofs

After Christiane meets two friends inside of the Zoo station building, all three leave through a door looking for Detlef (Christiane's boyfriend) where the male prostitutes stand in line. One of her friends (Axel) wears flares-type light blue jeans inside the station, but outside he suddenly wears slim-fit dark blue jeans. See more »

Crazy Credits

Dedicated to: Andreas W. "Atze" (1960 - 77), Axel W. (1960 - 77), Babette D. "Babsi" (1963 - 77) and all others who didn't have the luck and strength to survive. See more »

Alternate Versions

French DVD release includes a French-language dubbed version running 125 minutes. See more »

Connections

Features Night of the Living Dead (1968) See more »

Soundtracks

TVC15
Written by David Bowie
RCA Records
Courtesy Rolf-Budde-Verlag, Berlin
See more »

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User Reviews

 
the king of drug films
27 September 2006 | by FalconeerSee all my reviews

I have seen so many films about drug addiction, and not one of them can equal the sheer power of this one. The life of this 14 year old West Berlin junkie is crafted with an astounding level of realism. Her downward spiral into heroin addiction and prostitution is captured by Ulrich Edel, who holds nothing back in his depiction. We see through Christiane's eyes, every filthy toilet, every creepy, slimy john whom she must trick with for drug money, every moment of terror and desperation. At this age, everything is felt so intensely. Christiane, a young teenager from a "hell on Earth" place called Gropistadt, a truly dark and bleak part of Neukoln, West Berlin. A place where there is absolutely nothing for a teenager to do. She discovers a place called "The Sound", a cavernous disco located near the posh and touristy "Kurfuerstendamm". "The Sound" is a seedy teen hangout, infested with drugs, and with dealers only too happy to feed Valium and heroin to kids eager to escape their dreary reality and to have fun. Here is where Christiane meets Detlef, a boy her age. Detlef starts using heroin soon after they meet, and Christiane, scared of losing him to the drug, begins using also. It is especially important to notice that the film doesn't glamorize heroin. As soon as the hard drug use begins, the mood of the film changes instantly. The wonderful music of David Bowie whom Christiane worships is heard frequently throughout the first section of the film. After her and her friends become junkies, the Bowie music disappears, which is very symbolic, i think. Thankfully director Edel didn't make the mistake that so many American directors make when filming stories about teens: The actors here are genuine teenagers, around 14/15 years old. This makes the film so much more powerful and shocking, and much more believable. The effects of heroin on these kids is staggering to behold; they turn into these sickly shadows of their former selves, like zombies, in search of their next fix. And strangely, Christiane and her friends never seem to enjoy the high from the heroin. You will never see such a bleak vision of kids lost in a surreal hell of drug addiction. And to add further to the intensity, the film is long, 138 minutes uncut, becoming steadily darker and seedier by the minute, until the viewer wonders just how long can this young girl go on like this without completely self-destructing. And amazingly, throughout the running time, the film never preaches, not for a moment. And it never becomes sentimental, as most American drug films often do. The film style is specifically German. I doubt that any American director could have created such a dark and gritty film about people so young. "Christiane F: Wir Kinder vom Bahnhof Zoo" remains one of the most well-known and admired films to ever come out of Germany.


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