Arthur spends his time with booze and whores. His dad has a wife lined up for him that he keeps rejecting - until it's her or being cut off from $750,000,000. Then he goes shopping where he falls in love with a shoplifter.
Norman is a curmudgeon with an estranged relationship with his daughter Chelsea. At Golden Pond, he and his wife nevertheless agree to care for Billy, the son of Chelsea's new boyfriend, and a most unexpected relationship blooms.
Arthur is a happy drunk with no pretensions at any ambition. He is also the heir to a vast fortune which he is told will only be his if he marries Susan. He does not love Susan, but she will make something of him the family expects. Arthur proposes but then meets a girl with no money, with whom he could easily fall in love.Written by
John Vogel <email@example.com>
In the numerous scenes where Arthur and Hobson are both present, Arthur is always sober and, with only two exceptions in the hospital scene, Hobson speaks every comedic line. In every scene where Arthur is drunk he speaks every comedic line, and Hobson is absent. See more »
When Arthur proposes to Susan, he grabs her hand twice after Susan asks, "Take my hand, Arthur." See more »
[to Burt Johnson's servant]
Are you sure you want to be a nightclub comic?
See more »
Witty and warm, and lots of booze. Three great actors combine.
I'm no Dudley Moore fan, but this grew on me and I found him not only hilarious but, as intended, touching. He is supported by two very different kinds of actors—John Gielgud and Liza Minnelli—but they form a wonderful trio.
The story is a timeless one—the rich man who is out of touch with what really matters in life. This isn't pushed very far, and the end is pretty inevitable, but the journey is great fun mostly because Moore is relentlessly funny. Minnelli plays a great strong woman foil to him, and is obviously what he needs in life. The "romance" between them is never very convincing because it remains a bit practical—they don't have that great scene where we expect them to truly "fall in love," and that's just fine. (The closest is the scene in the horse barn, which has one of the funnies lines in the movie, which almost feels like a Moore ad lib, you'll see.)
The aging butler played by Gielgud is more nuanced and funny than the cliché of the English butler in so many movies. It's weird to see him play this kind of role when his repertoire ranges more to Shakespeare (he's one of England's great 20th Century stage actors).
So love this not for the story, which is lovable but plain, but for the three actors and their ongoing wit and verve. A fun fun movie.
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