Superman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself important to the world.
Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Picking up where "Superman: The Movie" left off, three criminals, General Zod (Terence Stamp), Ursa, (Sarah Douglas), and Non (Jack O'Halloran) from the planet Krypton are released from the Phantom Zone by a nuclear explosion in space. They descend upon Earth where they could finally rule. Superman, meanwhile, is in love with Lois Lane (Margot Kidder), who finds out who he really is. Lex Luthor (Gene Hackman) escapes from prison and is determined to destroy Superman by joining forces with the three criminals.Written by
Keith Howley <firstname.lastname@example.org>
Tom Mankiewicz was hired to oversee the script, originally written by Mario Puzo, for Superman (1978), which was to be made simultaneously with this movie. Mankiewicz eliminated most of the camp elements Puzo added to the original draft, and went ahead with the filmmakers' decision to keep the story's religious allusions. Specifically: Jor-El (God) casts Zod (Satan) from Krypton (Heaven), Jor-El's speech as he and Lara say goodbye to Kal-El ("The son becomes the father and the father the son), A ship in the form of a star brings Kal-El to Earth (the star of Bethlehem), Kal-El comes to a couple unable to have children ("How we prayed and prayed the good Lord would see fit to give us a child"), Clark Kent travels into the wilderness to find out who he really is and what he has to do (not much is known about Jesus during his middle years), and "You must live as one of them, but always hold in your heart the pride of your special heritage. They can be a great people Kal-El, they wish to be, they only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you, my only son." See more »
Just before Superman sets the antenna back on top of the Empire State building, the area where the antenna tore away from the mount is rough and sparking. When he sets it on Non, the mounting surface is completely smooth. See more »
Alert, alert, alert.
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Opening credits incorporate an extensive amount of footage from the first Superman movie. See more »
Some versions show a young boy in the small town trying to ride a horse away for help. Zod says that no one is to leave. Non throws the red light he tore earlier from the police car at the boy killing him. One of the townsfolk says that he was just a boy, and Ursa replies that he will never become a man. See more »
A strange and uneven mix of a film that is entertaining if you can forgive the fact that it is a bit messy and shoddy at times
His close relationship with Lois Lane as both Clark Kent and Superman is putting strain on our hero; she has feelings for him and he has feelings for her although she only likes one half of his personality (although she doesn't realise this). However one thing Lois can rely on is the Superman is always there to help her. So when she is looking into terrorists with a hydrogen bomb Superman comes to the rescue and throws it into space where it safely explodes. Unknown to him though, the nuclear blast frees the prisoners imprisoned in Krypton and blasted into space for eternity. So while Superman and Lois are making cooing noises at one another, General Zod and his colleagues arrive on Earth with crime on their mind to find that have super powers thanks to the power of the Sun.
I'm not sure why this film is such an uneven affair but I assume that the change of directors far into the film's production is the cause of the majority of this film's problems. By this I am referring to the messy delivery the whole film has. On a narrative level we seem to jump around between threads and themes an effect not helped by the poor continuity across the whole (caused by bits being shot much later than other bits). More than the narrative jumps is the problem with the tone of the film. It veers wildly throughout; one moment being a tragic bit about Superman becoming human, the next a load of funny lines in a comic scene. It has a weird effect on the film as a whole because it did make me feel like I was watching two different movies rammed together into one (which in essence I suppose I was). Despite the mix not really working, individual moments are generally good. The comedy, drama, "humanity" and action are mostly fun and enjoyable even it is hard to overlook the mess of them all being rammed together.
The cast deal with it quite well because most of them are put into boxes for each scene. Reeve has the hardest job because he must cope with comedy, drama and action. Despite me never being a big fan of his, he does well with his individual scenes even if he cannot hold them together into one flow. I've never liked Kidder that much and she isn't that good here even if she does do the job. Stamp is marvellously camp and OTT throughout the film and his performance is enjoyable (albeit maybe not for the reasons he meant it to be). He is support by Willoughby (sexy when I was a child) and O'Halloran (fun and contributes with a good presence and comic touch). Hackman exists in the comedy part of the film and he loves it producing a performance that genuinely uplifts the film with only a few scenes and effortlessly produces a feeling of fun that such a film needs.
Overall then this is not a great film but it is a generally entertaining one. The mishmash of tones and material is jarring but individually they sort of work. The cast helps because the serious bits are carried by the performances but it is hard not to wiggle with pleasure when Stamp and Hackman come onto the screen to liven things up with some silly fun.
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