An undercover FBI agent falls in love with a recently widowed mafia wife, who is trying to restart her life following her husband's murder while being pursued by a libidinous mafia kingpin seeking to claim her for himself.
This movie interlaces the stories of several characters in a small town united by their use of CB (citizen's band) radio. Paul LeMat is the local CB coordinator who has time for little else... See full summary »
In 1930's Marjorie Kinnan Rawlings moves to Florida's backwaters to write in peace. She feels bothered by affectionate men, editor and confused neighbors, but soon she connects and writes The Yearling, a classic of American literature.
This movie tells the possibly true story of Melvin E. Dummar. Melvin is a nice guy, but he is a total loser: unlucky, impractical and can't keep a job. One night, however, he helps an old man who has had a motorcycle accident in the desert. Melvin laughs when the old man says he is Howard Hughes, the eccentric multimillionaire. But when Howard Hughes dies, Melvin is mailed a will leaving him part of the estate!Written by
At the end of the truck ride to Vegas, Hughes doesn't know how to open the passenger door from the inside, but in Dummar's flashback at the end of the movie (when Hughes gets to drive the truck), Hughes has no trouble opening the door. See more »
Here's a strange tale of a couple and their on-and-off again marriage and the stupid things they do.....and the eventual flak over money billionaire Howard Hughes supposedly left the man.
Paul LaMat plays the husband and supposed beneficiary. He's just fun to watch, a likable, never-loses-his-cool kind of guy. Mary Steenburgen plays his wife and kind of surprised me by how much skin she showed, not the usual scenario with her. Both of them are somewhat low-lifes. Heck, even Hughes (Jason Robards) is pictured to look kind of scummy character in here. Then again, his last years on this earth were a bit strange!
It's a fictional story but those of us who remember, there WAS a lot of flak over the will of Howard Hughes. Despite this being on the grungy side (typical for movies between 1970-1981) this is still an appealing film in a sweet kind of way.
One thing for sure: it's different. Well worth a look.
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