Michael Reynolds is a rich oncologist who has a one hundred seventy-five thousand dollar sports car, a multi-million dollar house, and a new boost in his career. Brandon "Blue" Monroe is a ... See full summary »
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.
Wyoming, 1890. James Averill is the Sherriff of Johnson County, a county largely inhabited by foreign immigrants. The wealthy cattle owners view the immigrant farmers as a nuisance and hindrance to them enlarging their own land. The cattlemen's association, the Wyoming Stock Growers Association, effectively declares war on the immigrant farmers, and gets the state government's blessing. They assemble an army of guns-for-hire, and, backed by the U.S. Cavalry, set out to rid the state of the immigrants. James Averill's heart is with the immigrants, but he is not sure they have a chance of winning the inevitable war.Written by
Such was Writer and Director Michael Cimino's obsession with getting the right shot, that fifty takes were not uncommon for each scene. More than one hundred hours of film was shot in total, the equivalent of nearly nine days of non-stop viewing. See more »
Despite how he was portrayed in the film, Nate Champion was never any type of enforcer. He was a small rancher who stood up against the tactic of claiming all unbranded cattle. He was killed when a posse of vigilantes attacked his homestead. A journal of his battle survived the attack. See more »
Mr. Champion, my grandfather was the Secretary of War to Harrison. His brother was the governor of the state of New York. My brother-in-law is Secretary of State. And to you, I represent the full authority of the government of the United States and the President.
Nathan D. Champion:
Fuck him too.
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There are slight differences between the 'uncut' version on DVD and video and the original 70mm prints, most notably the ending. While the 70mm prints end with a freeze frame of an indecisive Averill in the doorway of his cabin, the DVD and video version ends with him standing on the deck of his yacht. See more »
Michael Cimino's "Heaven's Gate" is certainly not without its problems, but it's hard to believe, now that the historical context in which the film was released is long past, that it received such a rough drubbing when it came out 25 years ago. It's quite an interesting film and even a very well made one. It bears many similarities to Cimino's earlier success, "The Deer Hunter": a focus on male solidarity and conflict, man returning to a more primitive state, a narrative structure that has the protagonist moving from civilization to a barbaric world and then back to a civilization that will be changed forever by preceding events. Like "The Deer Hunter," this films deals in images more than words. Unlike "The Deer Hunter," however, and this film's biggest failing, is the lack of a cast of the same strength that graced Cimino's earlier film. "The Deer Hunter" had Robert De Niro, Meryl Streep and Christopher Walken. "Heaven's Gate" gets Christopher Walken, but in a role for which he is ill suited, and instead of De Niro and Streep we get Kris Kristofferson and Isabelle Huppert. I don't know what possessed Cimino to think Kristofferson could carry a film of this magnitude, but it's a dire miscalculation on his part. Kristofferson isn't necessarily a horrible actor, but he's certainly not strong enough to retain an audience's interest over the course of a 219 minute film. Isabelle Huppert is bland as well. The result is long scenes with little or no dialogue, in which feelings are supposedly being expressed in the faces of the actors; but since the actors aren't very strong, nothing is getting expressed. That's what makes "Heaven's Gate" much longer than it needs to be. There's really only a wisp of a story, so if we're not fully engaged in the characters, what exactly are we supposed to be engaged in? However, the weak cast and writing aside, "Heaven's Gate" is still a remarkable achievement in its own way, and a much better film than a new generation of movie lovers has been led to believe. Cimino may stumble with actors, but he's got a iron-clad grasp of visuals, and puts some stunning and memorable images on the screen. The film feels much more like a 70's film than it does an 80's film. At various times, it reminded me of "Little Big Man," "McCabe and Mrs. Miller," and "The Wild Bunch." If that esteemed company doesn't serve as an endorsement of this film, I don't know what does.
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