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Star Wars: Episode V - The Empire Strikes Back (1980)

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After the Rebels are brutally overpowered by the Empire on the ice planet Hoth, Luke Skywalker begins Jedi training with Yoda, while his friends are pursued by Darth Vader and a bounty hunter named Boba Fett all over the galaxy

Director:

Irvin Kershner

Writers:

Leigh Brackett (screenplay by), Lawrence Kasdan (screenplay by) | 1 more credit »
Popularity
151 ( 9)
Top Rated Movies #14 | Won 1 Oscar. Another 24 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mark Hamill ... Luke Skywalker
Harrison Ford ... Han Solo
Carrie Fisher ... Princess Leia
Billy Dee Williams ... Lando Calrissian
Anthony Daniels ... C-3PO
David Prowse ... Darth Vader
Peter Mayhew ... Chewbacca
Kenny Baker ... R2-D2
Frank Oz ... Yoda (voice)
Alec Guinness ... Ben (Obi-Wan) Kenobi
Jeremy Bulloch ... Boba Fett
John Hollis ... Lando's Aide
Jack Purvis ... Chief Ugnaught
Des Webb Des Webb ... Snow Creature
Clive Revill ... Emperor (voice)
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Storyline

Luke Skywalker, Han Solo, Princess Leia and Chewbacca face attack by the Imperial forces and its AT-AT walkers on the ice planet Hoth. While Han and Leia escape in the Millennium Falcon, Luke travels to Dagobah in search of Yoda. Only with the Jedi Master's help will Luke survive when the Dark Side of the Force beckons him into the ultimate duel with Darth Vader. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

The battle continues... See more »


Motion Picture Rating (MPAA)

Rated PG for sci-fi action violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English

Release Date:

20 June 1980 (USA) See more »

Also Known As:

Star Wars: The Empire Strikes Back See more »

Filming Locations:

Banks, Oregon, USA See more »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$4,910,483, 25 May 1980

Gross USA:

$290,271,960

Cumulative Worldwide Gross:

$547,879,454
See more on IMDbPro »

Company Credits

Production Co:

Lucasfilm See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (special edition)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Stereo (35 mm prints)| Dolby Digital EX (DVD)| DTS-ES (6.1 channels) (blu-ray)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Darth Vader's name comes from the following: "Darth" is a variation of the word "Dark" and "Vader" is the Dutch and German word for "father". See more »

Goofs

As Luke and Dak prepare for takeoff in their snow speeder during the Battle of Hoth, Dak closes the cockpit canopy while Luke's helmet is off. Later shots reveal that the cockpit does not have adequate space to put on the helmet with the canopy closed. See more »

Quotes

[first lines]
Luke: Echo Three to Echo Seven. Han, old buddy, do you read me?
Han Solo: Loud and clear, kid. What's up?
Luke: Well, I finished my circle. I don't pick up any life readings.
Han Solo: There isn't enough life on this ice cube to fill a space cruiser. Sensors are placed. I'm going back.
Luke: Right. I'll see you shortly. There's a meteorite that hit the ground near here. I want to check it out. It won't take long.
See more »

Crazy Credits

Opening crawl: "It is a dark time for the Rebellion. Although the Death Star has been destroyed, Imperial troops have driven the Rebel forces from their hidden base and pursued them across the galaxy. Evading the dreaded Imperial Starfleet, a group of freedom fighters led by Luke Skywalker has established a new secret base on the remote ice world of Hoth. The evil lord Darth Vader, obsessed with finding young Skywalker, has dispatched thousands of remote probes into the far reaches of space..." See more »

Alternate Versions

In some German video releases of the original version, about 3 sec. where cut to obtain a "Not under 6" rating. The torture scene of Han, on Bespin was shortened, so you only see him lowering towards the torture machine, no actual light flashes could be seen, or any Han screaming. Never the less this scene was included completely in the last VHS release of the original cut, in 1995, Widescreen-THX-Remastered edition, and was still rated "Not under 6"! See more »

Connections

Referenced in Saturday Night Live: Justin Bieber (2013) See more »

Soundtracks

The Duel
Composed by John Williams
See more »

Frequently Asked Questions

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User Reviews

Outstanding follow up.
12 September 2010 | by antonjsw1See all my reviews

Congratulations have to go to line producer Gary Kurtz and director Irvin Kershner in pushing the production to out-perform A New Hope, even though the consequence was a film that came in massively over budget, and almost cost Lucas his hard fought independence from the Hollywood system.

The plot moves quickly, from an interesting script by Leigh Bracket and Larry Kasdan, focusing on exploring two key relationships. The first is the relationship between Han Solo and Leia Organa, which is touched upon in a New Hope, but is fleshed out more in this film. The other is the more central relationship between Darth Vader and Luke Skywalker. This relationship is also linked in to the main supporting character in this film, Yoda, who is fantastically well realised by the film crew and performed brilliantly by Frank Oz. There are other characters, but whereas C3P0 and R2D2 were a central part of the story in the previous film, they are more on the sidelines.

What makes this film so great though is the involving and effective way the relationships operate within the broader story. The banter between Harrison Ford and Carrie Fisher is highly effective and amusing, operating through the classical love-hate relationship. One senses that Kershner, as a director of character driven films, worked very effectively with the actors and gave them the space to develop their characters which meant plenty of choices for the director in terms of their performances. The same goes for Mark Hamill's interaction with Yoda(Frank Oz). This is totally convincing and builds up the confrontation with Darth Vader very well. It was time well spent in getting these performances right. Kershner is very good at keeping the performance naturalistic, but reduces the level of broadness in the characters, making them more complex and interesting. Darth Vader benefits from this with scenes in the film that add to the mystique of the character. The confrontation with Luke Skywalker is riveting and dramatic and elevates the film above the level of its predecessor.

Technically the film is even more impressive than its predecessor. Credit has to go the Oscar nominated Art Direction team. John Barry, who had worked on the previous film, passed away during the production, but Norman Reynolds led the team superbly, with the excellent creations of Dagobah and Hoth, albeit Bespin in the original does feel a bit like a set, and the digital embellishments in the special edition were helpful in creating a bigger feel to those scenes. However, I was disappointed in the reworked scene with Palpatine in the special edition - while putting the excellent Ian McDiarmid was supporting continuity, to show him face on was, in my view an error and the reworked scene would have played much better with his face shrouded, or at the least partially obscured. The whole point of the scene was that the dialogue as strong enough without the need to ram an unsubtle visual at the audience.

Editing is excellent, led by Star Wars veteran Paul Hirsch, but it is known that both George Lucas, and his then wife Marcia were also heavily involved in putting the film together. Peter Suschitzky's photography is more conventional and low key in approach than A New Hope, but is particularly effective on the Dagobah scenes in Elstree Studios, and the location scenes in Norway.

ILM's visual effects were outstanding, and rightly won an Academy Award. The crew consisted of the following: Oscar winning A New Hope veteran Richard Edlund, working with British effects supervisor Brian Johnson (who had just won an Oscar for Alien), effects photographer Dennis Muren (who would become an award winning and digital effects pioneer for ILM for ET, Return of the Jedi, Indiana Jones and the Temple of Doom, Innerspace, The Abyss, T2 and Jurassic Park) and compositor Bruce Nicholson, who would go on to win an Oscar for his work on Raiders of the Lost Ark, and work on a wide variety of films in Hollywood. George Lucas took a strong interest and influence in the special effects and also has to take credit for some of the excellent sequences in the film, which also work because they help drive the story along.

Again, like a New Hope, sound work was first rate and Oscar winning. In most cases the sound has to be recorded in a studio and added many months after filming has been completed. Sound re-recordist Bill Varney would win another Oscar for Raiders of the Lost Ark. Steve Maslow and Gregg Landaker also worked as sound-recordists and are both prolific contributors to many high profile movies. They would also win Oscars for their work on Raiders and then some fourteen years later win again for their work on the Keanu Reeves hit movie Speed. Peter Sutton won for his on–set work and has a large body of work in film since this movie. Also credit has to go the Ben Burtt's sound design work, which creates a fabulous sound-scape for the film.

However, despite the above outstanding technical contributions, which serve to enhance and exciting and interesting story, it is composer John Williams who, yet again, takes this film to another level with another astounding musical score. Working with the director and producers, Williams develops and expands original themes. He creates a new and unforgettable theme for Darth Vader, with strong militaristic overtones, and clever themes for Leia and Han, and for Yoda. He weaves the score into the film expertly, giving moments of tension, excitement, thoughtfulness, mystery and tragedy with aplomb. The score feels more operatic than a New Hope, and helps cement this as one of the best adventure/fantasy films ever made.

Congratulations to Mr Lucas for delivering a remarkable sequel, but also to Gary Kurtz and Irvin Kershner for having the courage to push everyone out of their comfort zones so as to reach this level of excellence.


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