7.4/10
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43 user 45 critic

The Last Metro (1980)

Le dernier métro (original title)
Trailer
2:38 | Trailer
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

Director:

François Truffaut

Writers:

François Truffaut (scenario), Suzanne Schiffman (scenario) | 3 more credits »
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Nominated for 1 Oscar. Another 13 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Catherine Deneuve ... Marion Steiner
Gérard Depardieu ... Bernard Granger
Jean Poiret ... Jean-Loup Cottins
Andréa Ferréol ... Arlette Guillaume
Paulette Dubost ... Germaine Fabre
Jean-Louis Richard Jean-Louis Richard ... Daxiat
Maurice Risch Maurice Risch ... Raymond Boursier
Sabine Haudepin Sabine Haudepin ... Nadine Marsac
Heinz Bennent ... Lucas Steiner
Christian Baltauss Christian Baltauss ... Bernard's Replacement
Pierre Belot Pierre Belot ... Desk Clerk
René Dupré René Dupré ... Valentin
Aude Loring Aude Loring
Alain Tasma Alain Tasma ... Marc
Rose Thiéry Rose Thiéry ... Jacquot's Mother / Concierge (as Rose Thierry)
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Storyline

Paris, 1942. Lucas Steiner is a Jew and was compelled to leave the country. His wife Marion, an actress, directs the theater for him. She tries to keep the theater alive with a new play, and hires Bernard Granger for the leading role. But Lucas is actually hiding in the basement... A film about art and life. Written by Yepok

Plot Summary | Add Synopsis

Taglines:

A story of love and conflict. See more »

Genres:

Drama | Romance | War

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French | German

Release Date:

19 February 1981 (USA) See more »

Also Known As:

The Last Metro See more »

Filming Locations:

Clichy, Hauts-de-Seine, France See more »

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Box Office

Opening Weekend USA:

$11,206, 25 April 1999

Gross USA:

$3,007,945

Cumulative Worldwide Gross:

$3,007,945
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Mono

Color:

Color (Fujicolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

In his Chicago Sun-Times review, Roger Ebert wrote that the character of Daxiat, the collaborationist critic, "is such an evil monster that he must surely be inspired by someone Truffaut knows". Michel Daxiat was the pseudonym of the critic Alain Laubreaux (1899-1968), who wrote for the anti-Semitic journal "Je suis partout". The scene where Bernard gives him a beating is inspired by an incident when Jean Marais punched Laubreaux; after Liberation, Laubreaux shared the fate Daxiat suffers at the film's end. See more »

Goofs

In one scene in the cellar, during a conversation between Marion and Lucas, we can see the sound recordist hiding himself in a corner of the cellar. See more »

Quotes

Nadine Marsac: You read palms?
Bernard Granger: Oh-la-la-la-la.
Nadine Marsac: Go ahead. What do you see?
Bernard Granger: I see...
Nadine Marsac: Yes?
Bernard Granger: I see that there are two women in you.
Nadine Marsac: That's true!
See more »


Soundtracks

Prière à Zumba
Written by Agustín Lara (as A. Lara), Jacques Larue
(Editions F. Day)
See more »

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User Reviews

 
Lucas et Bernard
7 August 2001 | by anagram14See all my reviews

Truffaut does a better job of drawing the torn loyalties of a woman in love than any other film-maker I know, including women. Both "Jules et Jim" feature love triangles between a woman and two men. While Catherine in the more famous earlier work is a wildly bewitching girl, Deneuve's Marion is a beautifully mature stoic, even when her Jewish husband Lucas, hiding out in the cellar, vents his understandable spleen about his isolation on her, driving her into the arms of Bernard, her young leading actor. I cannot understand what another commentator said about the movie not letting the viewer in. It does - and how much more than anything from Hollywood! It's just that it's a film made for audiences with a modicum of experience in life and love. But for those, it's got it all. A plot that literally kept me on the edge of my seat for the last half-hour; splendid performances not only from Deneuve and young Depardieu but also from the craggily handsome German actor Heinz Bennent as Lucas, and the supporting cast; laugh-out-loud funny moments, gooily romantic moments, spine-chilling moments of fright. A declaration of love to women and the theatre. I give it a ten.


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