A mourning workaholic's deceased wife comes back to haunt him, but in a benevolent way, trying to get him to change his dreary attorney life into a life where he has a relationship with his children and is happier with himself.
A summer Sunday in a beach hut at Lido di Ostia (Rome). Many people and stories: a female basketball team; two fitness-mad soldiers; two petrol pump attendants with their girlfriends; a ... See full summary »
A man hires a P.I. to find a hot woman he fell in love with. The woman lives with her underage teen sister who dreams about having sex for the first time, but wants a real man. That's when the P.I. shows up and stirs up the household.
WWII. In German occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her ... See full summary »
A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
Claire (an American) wakes up in a terrible state at the end of a runway in Spain. As she tries to account for her state (blood-soaked and bruised), she has flashbacks from the past few ... See full summary »
Follows 6 carnival workers: Hairy, a lesbian cotton candy worker in search for love, Poochie Love, a former aspiring R&B singer who now uses the Balloon game as his stage, Dave and his 2 ... See full summary »
A carnival comes to a small town. Eighteen year old Donna meets Frankie and Patch, two carnival hustlers. They earn their living by mercilessly taunting spectators to try to dump one of them into the water by throwing balls. Donna is tired of her work as a waitress and follows them through the South.Written by
Orion was initially interested in producing this movie. See more »
While Mickey is at the roulette joint, Doubles is seen ringing a bell while wearing a tan plaid shirt. The audio of the bell ringing and Doubles' line "I tell ya, the boy has me in a corner" carries over to a shot of Mickey. When the shot switches back to Doubles a few seconds later, his tan plaid shirt has suddenly changed to a solid dark shirt with a denim jacket over it. See more »
If I had the money for a bus ticket I'd leave right now.
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This is one of the only films in existence that truly depicts the Carny as he/she was during the 50's and 60's. Why it has not made it to DVD is a real mystery.
Gary Busey and a young Jodie Foster are the mainstays of this film. Foster is beginning to show the talent that will shine in later films.
Part coming-of-age chronicle, part road movie, Carny is memorable for Jodie Foster's sexy, intelligent heroine and the pivotal influence of costar, co writer, and producer Robbie Robertson. Robertson is Patch, a carny veteran whose de facto partner is the leering, cruel Frankie (Gary Busey), an abusive clown, and the film lingers on the tawdry and menacing world behind the carny's garish public spaces. When the young, self-confident Donna (Foster) shows up and joins the troupe, the bonds between Patch and Frankie are strained. Donna's walk on the wild side brings her in intimate, sometimes dangerous proximity to the freaks and lowlifes that populate this world, which the writers and director Robert Kaylor savor for its atmosphere of outsider surrealism.
Foster acquits herself wonderfully, making this a revealing step between the prematurely hardened nymphet of Taxi Driver and the actress's first truly adult roles, soon to follow. Busey and Robertson fare less well, their work long on mannerism but ultimately cryptic to a fault. Like the movie itself, they transmit a cynicism that seems hollow without more real insight into how they came to inhabit this netherworld, and why they can't escape it. B-Sutton
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