In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
Composer and pianist Franz Liszt (Roger Daltrey) attempts to overcome his hedonistic life-style while repeatedly being drawn back into it by the many women in his life and fellow composer Richard Wagner (Paul Nicholas).
It's the late 1960's. Just for a lark, graduate student Eddie Jessup, known for being unconventional, brilliant and slightly mad, conducts experiments with an isolation chamber, using himself as the subject. His experiences in the chamber cause him to hallucinate, much of the imagery being religious-based despite he not being a religious man. Seven years later, he is a respected full professor in the Harvard Medical School. Believing he has lost his edge and has fallen into an unwanted state of respectability, Eddie decides to resume his work with sensory deprivation, this time using hallucinogens, specifically untested ones used in mystical Mexican rituals, to enhance the experience of being in the isolation tank. After initial tests, he claims he entered an alternate physical and mental state. Although unbelieving of Eddie's claims, his colleagues Arthur Rosenberg and Mason Parrish, as well as Eddie's wife, Emily, who is in her own right a respected academic, are concerned for ...Written by
The picture was originally in development at the Columbia Pictures studio but when the budget blew-out to US $15 million it went into turnaround, the picture in the end being made at Warner Brothers. See more »
When Eddie is in the isolation tank and Arthur monitors him, a printer periodically produces Eddie's EEG in a paper strip that grows every second, with a characteristic noise repeating. When the shot changes, the noise is still heard; thus, when the printer is seen again, the strip should have grown a lot. However, the strip is approximately the same length. See more »
[Discussing his father's death, and its impact on his thinking]
I haven't told anyone this in ten years. I'm telling you now because I think you have a right to know what kind of a nut you might be getting mixed up with here.
Arthur was right. You are a fascinating bastard.
See more »
ABC edited 7 minutes from this film for its 1983 network television premiere. See more »
This is one of Ken Russell's best films. He manages to balance plot and wild visuals as never before. The acting is also first rate. I watched it again recently I think it still holds up surprisingly well compared to many modern sci-fi movies. The plot is intriguing, I keep thinking that there might be some truth to the concepts presented, and the fact is that our own brains are still largely unexplored territory. A special mention to the extraordinary music written by John Corigliano, and for which he was nominated for an Academy Award. It dares to be loud and violent, and complements the visuals extremely well. This is a wild, original movie unlike any other.
40 of 49 people found this review helpful.
Was this review helpful to you?
| Report this