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Giallo a Venezia (1979)

In Venice a detective is on the trail of a killer who commits a double murder (a married couple) then more grisly killings occur. Sex, drugs, gore and perversions are ingredients of this sadistic and sleazy giallo.

Director:

Mario Landi

Writer:

Aldo Serio (screenplay)
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Cast

Cast overview:
Leonora Fani ... Flavia
Jeff Blynn Jeff Blynn ... Insp. Angelo De Pol
Gianni Dei ... Fabio
Michele Renzullo Michele Renzullo ... Andrea Caron
Eolo Capritti Eolo Capritti ... Maestrin
Vassili Karis Vassili Karis ... Bruno Nielsen (as Vassili Karamesinis)
Giancarlo Del Duca ... Alberto
Mariangela Giordano ... Marzia (as Maria Angela Giordan)
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Storyline

Inspector Angelo De Pol (Jeff Blynn) is assigned to the case of a double murder in Venice, the victims were a married couple. He suspects that a psycho killer in on the loose, however during the investigation the inspector discovers that the husband was a sex maniac and a drug addict. Soon afterwards bloody killings begin to occur. Written by jairhcastillo

Plot Summary | Add Synopsis


Certificate:

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Parents Guide:

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Details

Country:

Italy

Language:

Italian

Release Date:

31 December 1979 (Italy) See more »

Also Known As:

Mystery in Venice See more »

Filming Locations:

Venice, Veneto, Italy

Company Credits

Production Co:

Elea Cinematografica See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (uncut)

Color:

Color (Telecolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Most of the soundtrack is recycled from "Interrabang" (1969), a movie composer Berto Pisano had scored years earlier. Some pieces in this movie can be also heard in "Burial Ground," another movie produced by Gabriele Crisanti and scored by Pisano. See more »

Goofs

In one scene, a man and a woman are having sex and her bare breasts are visible. However, in one facial shot of the man during the same sequence, we can see her reflection in his sunglasses and she is clearly wearing a bra. See more »

Connections

Featured in The Cinema Snob: Giallo a Venezia (2012) See more »

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User Reviews

 
Essential mean spirited sleaze gem
20 February 2011 | by BloodwankSee all my reviews

Giallo A Venezia opens with a swiftly edited stabbing, then a lady floundering in water. Credits roll and we discover that these two luckless chumps were a married couple, Fabio and Flavia, and its now up to egg eating, bad joke cracking detective De Paul to sort out the mess, a process which involves much delving into the sordid details of their relationship. Meanwhile, things are about to get nastier... Despite the title, this one only just about qualifies as a giallo. It has a mystery, some killings and a whole lot of perversion, but when stacked against the notables of the genre Giallo A Venezia is a terrible example, with little in the way of style (one rather nifty moment aside) and even less in the way of interesting detective work or problem solving. It doesn't matter too much though, the title just about captures the nature of the plot and the film never really tries to compete in the giallo field. The main thing on its mind is sleaze and sleaze is what it serves up in delicious helpings, comparable perhaps to a three course meal. See, our unfortunate Fabio and Flavia had rather an unconventional relationship, he a dominant deviant and she a submissive, if often unwilling partner to his lusts. A lot of the film is spent on their sex lives, delivered as seedy soft-core with a dollop of sadism we get voyeurism, rape and humiliation as the more traditional female masturbation and conventional coupling. Gianni Dei and Leonora Fani are excellent as Fabio and Flavia respectively, he commands just the right air of haughty perversion that knows no sympathy beyond its own satisfaction, and she a tragic figure of the sort who just can't make herself get out. It helps that Leonora Fani has a splendid body and the sort of bush that makes you want to go exploring, gives her degradation an even meaner feel. There's more sexy shenanigans as well, lest you be afraid that this is a two hander, we get Mariengela Giordano nude in the films best loved sequence, and at least one more partly nekkid gal so its all good. The score works wonders for the soft-core side as well, natty porno lounge from Berto Pisano that bursts into indecently rousing loudness when good stuff goes down. For all this, the film doesn't completely forget its title, as the plot does steadily develop with one or two twists and turns and a few possible suspects/motives. It isn't too taxing though, and the mystery serves mostly as a means of joining together the sexual and the violent aspects of the film. As with any giallo worth its salt, there are a few gnarly murders in here, a couple of which have earned the film a deserved infamy. I won't go into details, but one would be better served by higher quality prints than the one mostly available (though it is still pretty sweet), and the other is an absolute ripper, real squirmishly entertaining classick. The finale is a corker as well, wrapping things up nicely just when the film is looking like it might have used up all its steam. There isn't really legitimately redeeming value here, no social themes nor insight into the interesting territory of a sexually twisted relationship, there isn't much style and the cinematography makes Venice look dull. I've never been but apparently its a nice place, not so in this film. This is pretty much aimed straight at the sleaze and nastiness brigade and no one else, seekers after truth and beauty should seek elsewhere and even average giallo lovers will likely be nonplussed. But if you like 'em mean, check this sucker out pronto as it plays a mean game and it plays it well.


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