3.9/10
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18 user 11 critic

Eyes Behind the Stars (1978)

Occhi dalle stelle (original title)
Not Rated | | Sci-Fi, Thriller | 21 February 1978 (Italy)
A photographer and his model are on a photo shoot in a forest when they get the feeling they are being watched. The feeling becomes so strong that they decide to cut their session short and... See full summary »

Director:

Mario Gariazzo (as Roy Garret)

Writer:

Mario Gariazzo (as Roy Garrett)
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Cast

Complete credited cast:
Robert Hoffmann ... Tony Harris
Nathalie Delon ... Monica Stiles
Martin Balsam ... Inspector Jim Grant
Sherry Buchanan ... Karin Hale
Victor Valente Victor Valente ... Coleman Perry
Sergio Rossi Sergio Rossi ... Leader of 'The Silencers'
Mario Novelli ... The Silencers Henchman (as Antony Freeman)
Franco Garofalo ... Peter Collins
Carlo Hintermann Carlo Hintermann ... Air Marshal Thompson
Giovanna De Luca Giovanna De Luca
Bruno Di Luia Bruno Di Luia ... The Silencers Henchman
George Ardisson ... Agent for 'The Silencers'
Franco Beltramme Franco Beltramme ... Phillips - Inspector Grant's Assistant
Tom Felleghy Tom Felleghy ... Cmdr. Smith
Cesare Nizzica Cesare Nizzica ... Farmer
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Storyline

A photographer and his model are on a photo shoot in a forest when they get the feeling they are being watched. The feeling becomes so strong that they decide to cut their session short and leave. Later, when they develop the photos they took, they discover what looks like alien creatures in the background. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

Inter galactic Sci-Fi terror See more »

Genres:

Sci-Fi | Thriller

Certificate:

Not Rated | See all certifications »
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Details

Country:

Italy

Language:

Italian

Release Date:

21 February 1978 (Italy) See more »

Also Known As:

The Eyes Behind the Stars See more »

Company Credits

Production Co:

Midia Cinematografica See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color (Gevacolor)
See full technical specs »
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Did You Know?

Trivia

For the English-language version, another actor dubbed in the voice for Martin Balsam's character (even though Balsam was quite obviously speaking English in the film). See more »

Goofs

Although the movie is set in Great Britain, none of the prominently featured vehicles are right-hand-drive except for the Land Rover and a briefly seen Hillman Minx. This is understandable in the case of several American cars, as right-hand-drive model availability was spotty in the time period, but it is not logical for the British-built Mini and Triumph TR3 seen in the film to be left-hand-drive in their home market. See more »

Connections

Referenced in Very Close Encounters of the Fourth Kind (1978) See more »

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User Reviews

 
Honey, they're being stalked by a synthesizer!
6 March 2015 | by carguychrisSee all my reviews

I got this title as part of a cheap 100-movie sci-fi set. I'm a big fan of 1970s exploitation cinema, and at first, I thought the film had some promise - it looks like it has some good creepy atmosphere, and it's Italian, so there's bound to be some gratuitous violence, gore, and nudity, despite cheesy special effects and a sketchy plot. What's more, even if it's stupid, it's bound to be entertaining!

Okay, I was right about the cheesy effects and sketchy plot, but the rest? Not so much.

This is one of those films in that uncomfortable middle ground in the B-movie hierarchy – it's not sensational enough to be a guilty pleasure or awful enough to be unintentional comedy, yet it's far too incompetent to be considered good on its own merits.

The basic premise is that extraterrestrials are lurking around an unspecified location in the UK for reasons that are never entirely made clear. These aliens can make themselves invisible, but they apparently show up in photographs, as a photographer inadvertently takes pictures of them during a photo shoot with a beautiful female model in the woods. (Note to Italian exploitation fans: She remains fully clothed.) The photographer takes the photos to a journalist and complications ensue; the aliens pursue and abduct the photographer, killing a bystander in the process. The police and the military get involved. More people die. (Note to Italian exploitation fans: There is zero gore.) The journalist consults with a paranoid UFO researcher, and both of them wind up being pursued by shadowy government agents known as the Silencers, along with the aliens. It's basically like an extended episode of the X-Files.

The plot is full of holes and is nearly incoherent at times, which is not necessarily unusual for 70s Italian fare, but the filmmakers take far too long getting to the point. The screenplay and direction are limp and leaden for roughly the first hour of running time; there is virtually no sizzle or excitement until the third act, by which time the viewer is hardly paying attention. Like the American UFO researchers who apparently inspired this piece, the filmmakers evidently took themselves far too seriously to have any fun.

It would be neglectful of me not to explain the title of my review, and give some examples of the filmmaker's incompetence while I'm at it:

~ The sequences of the "invisible" aliens stalking the characters are filmed in the first person, using a fisheye lens, accompanied by a mindless droning high-pitched "chirp-chirp-chirp-chirp" synthesizer track and an occasional metallic heavy-breathing sound. As the aliens approach, the room lights go out, and the characters usually stand still rather than investigating why the lights went out as most normal people presumably would. (Note to Italian exploitation fans: Although the beautiful model is involved in these sequences, she remains fully clothed here too, and the aliens never do anything truly exciting like, say, beheading a character.) The director obviously intended for these sequences to be suspenseful, but he relies on them too much and drags them out far too long – one gets the sense that he was simply padding the movie's running time. What's worse, I could still hear the obnoxious "chirp-chirp-chirp-chirp" in my head the morning after watching the film.

~ The film's British locale is never believable. Not only do none of the buildings look British, but the cars are left-hand drive, and characters' offices and apartments are decorated with picturesque posters with British tourist attractions on them, making the sets look as if they were decorated by a travel agent – which they probably were.

~ Important and potentially exciting plot points happen off-screen. Several deaths are either only discussed, or we only see the aftermath as the police are investigating. What's worse, most of the deaths that occur on-camera are dull – the aliens kill with mysterious "radiation poisoning" and the characters merely keel over. We also never actually see the aliens abduct a character; the abductions are merely implied by fast edits of flashing lights, the camera zooming in on the open door of the flying saucer, and the character appearing inside.

~ The dubbing is truly awful, and annoyingly vacillates between spelling out the letters "U-F-O" and pronouncing it like an acronym, "You-foe." The movie also features some of the most atrociously overblown, pretentious, and utterly nonsensical dialogue I've heard since watching 'R.O.T.O.R.' On the other hand, hearing Martin Balsam being voiced by another person who sounds nothing like him is rather novel and entertaining. (Mr. Balsam must have been really hard up for a paycheck at this point in his career.)

~ The Silencers are some of the sloppiest secret agents in movie history; they travel in an enormous and conspicuous black Cadillac, frequently tailing other characters by only a few car lengths, and they hand off a "secret" audio tape in the middle of a city street in plain view of the character whose conversation they just recorded. In another sequence, the head Silencer dramatically puts on sunglasses indoors before shaking down a character, presumably to conceal his identity, but then he takes them off!

~ When the journalist character finally goes Action Hero in the final act, it comes across as unbelievable, but at least this results in a beat-down sequence that's arguably the film's only high point for Italian exploitation fans (I won't spoil it for you).

~ The ending is rather sudden, and was probably intended to be ironic and cynical, but it came across to me as lazy on the part of the screenwriter and director.

Frankly, if you're looking for low-brow sci-fi thrills, I would skip this one.


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