Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law ...
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Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the ... See full summary »
Tamara and Sasha were separated during the war. Now (1957) Sasha is visiting Moscow for five days and by chance recognizes the house where Tamara used to live. She is still living there with her nephew Slava.
St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' ... See full summary »
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the ... See full summary »
In the Soviet Union in 1936, shadow of Stalin's repressions lie on a famous revolution hero. An accusations of being him a foreign spy are nonsense, and all known that, but a slow process of his life's downfall is already running.
Young Siberian writer Volodya meets Kolya in the Moscow metro in his visit to a famous author. Volodya and Kolya's friend Sasha adventure their love interests in their own way, while Kolya sets out to help them.
Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law of one of the widow's admirers: a few years before, they had been idealistic lovers and now she can't believe he has settled for a dim wife and a job as a teacher. Amidst parlor games and idle talk of women's rights and peasants' capabilities, Sofia and Misha rekindle their love. Will they flaunt convention, abandon families, and run away to pursue lost dreams? Rescue comes from an unexpected place.Written by
In a scene towards the end of the film where Platonov storms down a hallway, he walks past a person just to his right who is clearly a crew member wearing modern clothing and holding a piece of equipment. See more »
Ask any moviegoer worth his or her bread (and I mean REALLY worth it!): "Unfinished Play for Mechanic Piano" is definitely one of the best ten movies ever made (I knew a very competent and cultured actor, the late Vistrian Roman, who declared it THE BEST of it all - and I could find no arguments to contradict him... Only a matter of personal taste makes me place on the top Tarkovsky's "Stalker"). Fact is that, as a few other admirers stated above, this Tchekhovian masterpiece IS INDEED PERFECT. Every detail is at its place, the structure is admirably built, the pervasive reality of the estate gradually grows to become unbearable, the characters are incredibly complex and deep (and, of course, played by a crew of genius actors!), and the photography is simply an ongoing series of paintworks.
I saw it for the... seventh time? Or maybe was it the eleventh?... a few days ago - and it made me laugh MORE than even, in the beginning, only to make me cry WORSE than ever in the end. It was hard for me, then, to hold the cinematographic culture course, and talk to my pupils, with a dry knot in my throat... This movie's emotional power is simply irresistible, and the philosophic content, abysmal... Once you see it, once you UNDERSTAND IT, your world will never be the same.
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