France, 1801. Due to a minor, perceived slight mild-mannered Lieutenant d'Hubert is forced into a duel with the hot-headed, irrational Lieutenant Feraud. The disagreement ultimately results in scores of duels, spanning several years.
At an exotic estate with a splendid garden, a topless woman, subtly wearing Chanel No. 5, is sunbathing by an outdoor swimming pool. From the opposite side, an athletic man dives and swims towards her. Or is he just a fantasy?
A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords time and time again in an attempt to achieve justice and preserve their honor.Written by
Greg Bole <email@example.com>
The swords were hooked up to batteries to produce the sparks, and Harvey Keitel said he was heavily shocked more than once. See more »
When d'Hubert and the doctor discuss the ways of avoiding duels with Feraud, the doctor brings two bottles of wine. He hands d'Hubert a corkscrew, but d'Hubert leans back in his chair and starts stuffing his pipe. Yet literally two seconds later the doctor also sits down and picks up a glass from the table, where an opened bottle is standing. d'Hubert has also suddenly got a full glass. See more »
The duellist demands satisfaction. Honour, for him, is an appetite. This story is about an eccentric kind of hunger. It is a true story and begins in the year that Napoleon Bonaparte became ruler of France.
See more »
Opening credits prologue: STRASBOURG 1800 See more »
The whole touch and "feel" of this marvellous movie is like slowly sipping a wonderfully rich and satisfying glass of superb wine. At regular moments throughout the film, the director takes the time to give you a photographic setting of the scene and you feel like you're looking at some great painting or masterpiece on canvas while still looking at a piece of atmospheric photography. The duelling is rivettingly realistic and the characters of the two main protagonists are rounded, deep and fascinating. Keitel is just a plain nasty man who is arrogant, hate-filled and remorselessly vindictive, never forgetting an enemy, even one of his own creating from an imagined slight. The resulting feud drags on for about 15 years, with Keitel determined to avenge himself and kill his more honorable and sometimes rather bemused arch-enemy out of blood-lust, pure vindictiveness and a desire to inflict a humiliating defeat - something he is repeatedly denied. The end solution is perfect. Sit back and enjoy a brilliant and ageless portrayal of two men caught up in the Napoleonic Wars, including the mercilessly cold Retreat from Moscow. Usually I don't particularly care for this kind of repeat-fighting gendre of a movie but this somehow manages to climb out of that kind of a mire. Out of 10, I rate this another flawless 10.
36 of 42 people found this review helpful.
Was this review helpful to you?
| Report this