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Close Encounters of the Third Kind (1977)

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Roy Neary, an electric lineman, watches how his quiet and ordinary daily life turns upside down after a close encounter with a UFO.

Director:

Steven Spielberg
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989 ( 235)
Won 1 Oscar. Another 14 wins & 38 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Dreyfuss ... Roy Neary
François Truffaut ... Claude Lacombe (as Francois Truffaut)
Teri Garr ... Ronnie Neary
Melinda Dillon ... Jillian Guiler
Bob Balaban ... David Laughlin
J. Patrick McNamara ... Project Leader
Warren J. Kemmerling ... Wild Bill (as Warren Kemmerling)
Roberts Blossom ... Farmer
Philip Dodds ... Jean Claude
Cary Guffey ... Barry Guiler
Shawn Bishop Shawn Bishop ... Brad Neary
Adrienne Campbell ... Silvia Neary
Justin Dreyfuss Justin Dreyfuss ... Toby Neary
Lance Henriksen ... Robert
Merrill Connally ... Team Leader
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Storyline

Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Now There Is More (USA 1980 special edition re-release) See more »

Genres:

Drama | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | French | Spanish | Hindi

Release Date:

14 December 1977 (USA) See more »

Also Known As:

CE3K See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$1,767,758, 3 September 2017

Gross USA:

$135,189,114

Cumulative Worldwide Gross:

$306,898,466
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(Special Edition) | (Theatrical Original) | (Director's Cut)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby (35 mm prints)

Color:

Color (Metrocolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

When the project was first pitched to Columbia in 1973, Steven Spielberg said it would cost $2.7 million to make. Due to delays caused by script development problems, he went on to make Jaws (1975), a huge success that gave him more status and bargaining power with the studio. At that point, exhausted and frazzled from the difficult location work on the shark movie, Spielberg decided he wanted to make Close Encounters entirely in the studio, and the budget was set at $4.1 million. As time went on and production ideas and plans grew more elaborate, it became clear more money would be needed, a prospect not looked on favourably by the financially strapped studio. Douglas Trumbull was surprised by the original low budget because he had estimated early on that his effects alone would cost about $3 million. The final figure for effects was fairly close to that. See more »

Goofs

When Roy is building the clay mountain in his living room, you can see the cut in the clay where he will later pull off the top of the mountain. See more »

Quotes

Farmer: [at press conference to discuss UFOs] I saw Bigfoot once!
[everyone in thr room reacts. The Farmer stands up]
Farmer: Sequoia National Forest, 1951! It made a sound that I would not want to hear twice in my life.
[sits down]
See more »

Crazy Credits

Near the end of the credits it starts to reads as follows: "During the filming of all animal sequences, H.L. EDWARDS, Veterinarian of Gillette, Wyoming, was in attendance at all times to aid the filmmakers and the anesthetist in proper treatment of the animals used, and at no time were the animals harmed or mistreated in any way." See more »

Alternate Versions

A print of the film screened at the American Cinematheque (Los Angeles) several times features most of the Special Edition's edits, but also includes the Roy's tree-tossing sequence and his climb through the window. What's missing from this version is all of the footage from inside the spaceship. See more »


Soundtracks

Love Song of the Waterfall
(1937)
Words and Music by Bob Nolan, Bernard Barnes, and Carl Winge
Published by Unichappell Music, Inc./Elvis Presley Music
From the United Artists Records album "Love Song of the Waterfall"
Sung by Slim Whitman
See more »

Frequently Asked Questions

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User Reviews

 
Mixed feelings
2 November 2008 | by wisewebwomanSee all my reviews

When I saw this first in the theatre I was blown away. It affected me profoundly. I thought the whole concept was fresh and new, the family strife, the yearning for and then actively seeking a higher concept for one's life, the mental breakdown of the main character as he tries to visualize what's inside his head: messages from alien beings.

Richard Dreyfus, Francois Truffaut, Teri Garr, Melinda Dillon, all perfectly cast. Along with Cary, the child actor who is brilliant.

As a microcosm of life in the seventies, the film is amazingly evocative, the perfect young family suburb, the children, the stay at home wife, the backyard barbecues. The husband who is a dreamer and when he starts to act it out, shatters this perfect home life.

Then the action moves to the mountain where the aliens are preparing to land. This scene got me in the theatre and gets me now. It is highly emotional. The music, the lights, the response of the mother ship. Highly charged cinematic moments.

However, and it is a big one. The transition of Richard Dreyfuss's character is far too sudden, he turns his back on children he obviously adores without any reflection whatsoever. How on earth would they survive in a seventies world without his income? Also Bob Balaban and Richard Dreyfuss are almost twin like in appearance and I kept getting them mixed up.

Francois Truffaut gave a fine performance as did many of the minor players. And the special affects - way before modern CGI - are breathtaking for their time.

Sometimes one is better leaving a movie seen in a theatre on its release exactly there: a one time viewing only. Seeing it for a second time removes the wonder and awe of that first viewing.

I would have given it a 9 the first time, this time a 6 so I calculated a 7 out of 10 to be fair.


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