The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of kindness, intelligence and sophistication.
A film that defies conventional logic and storytelling, fueled by its dark nightmarish atmosphere and compellingly disturbing visuals. Henry Spencer is a hapless factory worker on his vacation when he finds out he's the father of a hideously deformed baby. Now living with his unhappy, malcontent girlfriend, the child cries day and night, driving Henry and his girlfriend to near insanity.Written by
Swiss surrealist H.R. Giger cited this as "one of the greatest films [he had] ever seen", and said that it came closer to realizing his vision than even his own films. According to Giger, David Lynch declined to collaborate with him on Dune (1984) because he felt Giger had "stolen his ideas". See more »
The boy who brings Henry's head to the pencil-making shop suddenly has glasses on when he faces away from the camera to enter the side door. See more »
There are no opening credits, just a long, tilted close-up of the face of Jack Nance. See more »
The original print of the film ran 20m longer and featured a number of characters who are referenced in the credits but do not appear: The people digging in the alley show up in the second half of the movie. Henry comes across two kids excavating rows of dimes from the asphalt in the street. The landlady shows up in the second half, in a scene where Henry goes into the lobby of the apartment building and takes out his anger on a bench. "You stop kicking my bench!" the landlady shouts at him. "That's good wood!" See more »
You have to dissect it, watch it more than once, eat, breathe it and live it before you can get it. There are lots of explanations for all of the things that "make no sense"... it's art in it's purest form - you take away from it what you want! You can see Henry struggling with suddenly being thrust into the role of father and husband, his sin, his temptation, his life, his death, his dreams... too much symbolism to even get into here... anyone who dismisses this film as "junk that makes no sense" will never get it, and that's OK. But for the rest of us, it's on our "Top Ten Films of All Time" list. Brilliant and beautiful and horrifying! Makes you think for weeks... YEARS. I love it. Highly recommended to those who are open-minded! AMAZING FILM!!
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