Twenty years after having talked about death, the world and their problems in "El desencanto", the Panero brothers reflect about their actual situation at the moment and what has happened ... See full summary »
Juan Luis Panero,
Leopoldo María Panero,
His director's only film, Vida en Sombras tells the story of a man who from his childhood falls in love with cinema and grows to be a director and cameraman. While struggling to make ... See full summary »
Lorenzo Llobet Gracia
Fernando Fernán Gómez,
María Dolores Pradera,
Isabel de Pomés
Angel is a poacher who lives in the forest with his domineering mother. One day he goes to the city and meets Milagros, an escapee from a reform school and the lover of a known criminal so he takes her to his house in the mountains.
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
Paquita and her brother Venancio, both single and childish, live in a small town near Madrid. Their bossy eldest sister Ignacia, also an old maid, dominates them. One night, Paquita hears ... See full summary »
Fernando Fernán Gómez
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage... See full summary »
José Luis García Sánchez
Fernando Fernán Gómez,
This film is a documentary about the poet 'Leopoldo Panero'. His widow and his sons talk about death in general and in this special case and also about their own family problems.Written by
Between all the terror films I think that El desencanto is the most horrible example. In fact this is one documentary; the best creative documentary of the spanish cinematographic history.
This is the second Jaime Chávarri's movie (an unknown director (except, maybe, in Argentina and Spain because of the popularity of his musical movie Las cosas del querer, with Angela Molina)), but we must to consider that this is a four-hands-made film because of the active cooperation between Chávarri and Querejeta, the producer of the documentary.
In this film we can find some of the harder scenes I've ever seen. The vampiric presence of Leopoldo Panero, who was dead eight years before the production of this movie about the Panero's family, marks absolutely the life of his widow and sons and, in another level, the public one's too. Leopoldo Panero, like Frankenstein, is hidden somewhere listening to his family's declarations and he is preparing to come back to put the things in "correct way".
Ricardo Franco, a good spanish director, tries to re-birth the "desencanto"'s spirit in a second part of this movie, but his documentary (which where produced twenty years after, when the widow were dead) didn't arrive to the unconscient perfection of the original film. Anywhere, Franco hadn't the art of building the fearest movie.
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