Berlin, 1923. Following the suicide of his brother, American circus acrobat Abel Rosenberg attempts to survive while facing unemployment, depression, alcoholism and the social decay of Germany during the Weimar Republic.
In the midst of a civil war, former violinists Jan and Eva Rosenberg, who have a tempestuous marriage, run a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.
Marianne, some thirty years after divorcing Johan, decides to visit her ex-husband at his summer home. She arrives in the middle of a family drama between Johan's son from another marriage and his granddaughter.
Three women in a maternity ward reveal their lives and intimate thoughts to each other while in a maternity ward together, where they face the choice of keeping their babies or offering them for adoption.
Two estranged sisters, Ester and Anna, and Anna's 10-year-old son travel to the Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka.
A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in their jobs but slowly, agonizingly, she succumbs to a breakdown. Jenny is haunted by images and emotions from her past and eventually cannot function, either as a wife, a doctor or as an individual.Written by
Sujit R. Varma
This is evidently the movie that in "Annie Hall" Woody Allen's character refuses to go to when he arrives Late to a showing of it. Instead of missing the beginning of it he takes Annie Hall (Diane Keaton) to a showing of the WW2 documentary "The Sorrow and the Pity". See more »
A Scary Ride Through the Dark Labyrinth of the Subconscious
Ingmar Bergman's films always had, or at least, most of them had, a very dark and almost horror-ish tone to them, particularly films such as "Persona" and "The Seventh Seal", both which I consider among the finest films ever made. It was no surprise that his two 'official' horror films - this one and the slightly superior "Hour of the Wolf", come across as being not only of the genre's finest, but also one of the scariest of all time. Liv Ullman gives a breathtaking performance of a psychiatrist who turns out to be just as crazy as the people she takes care of. We follow her as she is lost in the hellish labyrinth of her subconscious, and harassed by horrible demons she created herself. Meanwhile, on the outside world, her 'darker side' takes over, and her friend and co-worker, played by the great Erland Josephson, tries to save her. Ullman's gradual descent into insanity is jaw-dropping, and here she gives her most twisted, hysterical performances for the likes of Isabelle Adjani in "Possession" and Catherine Denueve in "Repulsion". For the acting and Bergman's superb direction alone the film manages to convey a sense of dread and fear unlike anything Hollywood had done to this point, and indeed, the film does make the majority of American horror films made at that time look stupid in comparison. Overall, 10/10. A masterpiece.
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