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The Six Million Dollar Man 

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1:03 | Trailer
After a severely injured test pilot is rebuilt with nuclear-powered bionic limbs and implants, he serves as an intelligence agent.
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1,079 ( 175)

Episodes

Seasons


Years



5   4   3   2   1  
1978   1977   1976   1975   1974  
Nominated for 1 Golden Globe. Another 1 win & 3 nominations. See more awards »

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Cast

Complete series cast summary:
Lee Majors ...  Col. Steve Austin 99 episodes, 1974-1978
Richard Anderson ...  Oscar Goldman 99 episodes, 1974-1978
Martin E. Brooks ...  Dr. Rudy Wells 45 episodes, 1975-1978
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Storyline

When ace test pilot Colonel Steve Austin's ship crashed, he was nearly dead. Deciding that "we have the technology to rebuild this man", the government decides to rebuild Austin, augmenting him with cybernetic parts which give him superhuman strength and speed. Austin becomes a secret operative, fighting injustice where it is found. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis


Certificate:

TV-PG | See all certifications »
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Details

Official Sites:

Filmnegah.com (Persian)

Country:

USA

Language:

English

Release Date:

18 January 1974 (USA) See more »

Also Known As:

Cyborg See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(108 episodes)

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

4:3
See full technical specs »
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Did You Know?

Trivia

Martin Caidin originally wanted Monte Markham for the role of Steve Austin. See more »

Goofs

Steve Austin's bionic abilities are supposed to be kept secret. Yet, in several episodes he freely reveals it to people by demonstrating it or telling them. See more »

Quotes

[Opening narration, version 1]
Harve Bennett: Steve Austin, astronaut. A man barely alive.
Oscar Goldman: We can rebuild him. We have the technology. We can make him better than he was. Better, stronger, faster.
See more »

Alternate Versions

Several early episodes, now syndicated as two-part stories, were original broadcast as 90-minute TV movies. Most retain their original titles, except for the first two episodes of the series, "The Moon and the Desert," which were originally part of the original Six Million Dollar Man TV-movie. Several later two-hour episodes of the series have also been reedited into two-parters, such as "Lost Island." See more »

Connections

Referenced in Supernatural: The Real Ghostbusters (2009) See more »

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User Reviews

Steve Austin: Cyborg for the C.I.A.
24 December 2002 | by urickSee all my reviews

To understand the genesis of the show, watch first Harve Bennett's "The Astronaut" (1972) ---with the music of Gil Mellé-- and "Texas, We've Got a Problem" (1974). With a good, solid, realistic in treatment (psychologically and artistically), 1973 pilot produced and directed by David Irving and starring Martin Balsam as Dr. Rudy Wells (see H. G. Wells?) and Darren McGavin as the crippled cynical and manipulator Intelligent head Oliver Spencer who is also known as newspaper "Kolchak, The Night Stalker"; the show starts very well with Gil Mellé's electronic and jazzy score a la Miles Davis' "Bitches Brew", then comes a terrible second pilot "Wine, Woman and War", produced by Michael Gleason and written by Glen A. Larson with a dreadful main title and a horrible song by Dusty Springfield in which Steve Austin is a kind of reluctant second-rate James Bond whose mission ends with an atomic explosion. The series really finds its format with the third pilot: "The Solid Gold Kidnapping" with Jack Cole's famous techno medical main title (made with footages from the two pilots, video effects and body animations). During the middle of season 1, the music department decided to add sound effects from Universal's stock music library to highlight the bionic motions (some were already used in a previous series like the 1972 E.S.P. series "The Sixth Sense"---oddly enough, you can hear a noise from a missile when Austin launches an object into the air). The series had three Dr. Rudy Wells: one played by Martin Balsam (first pilot), by Alan Oppenheimer (pilot 2 & 3 and season 1 & 2) and by Martin E. Brooks (season 3, 4 & 5). The first two seasons ---produced by Sam Strangis/Donald R. Boyle and Lionel E. Siegel/Joe L. Cramer--- were in the line of the pilots and then occurs the transitory season 3 ---in 1975, the main composer Oliver Nelson and the music supervisor Hal Mooney left---, a season 4 with some drastic changes (bad writers and producers, the lead wears a ridiculous thin moustache, Goldman has a new office's decoration and the music is composed and renewed by J. J. Johnson) and therefore an un-inspired season 5 ---without Harve Bennett--- in which the protagonist wears a pre-"Fall Guy" haircut. TSMDM is basically an espionage series with a shallow sci-fi canvas (everybody remember the zoom shot bionic left eye with the frames or the infrared vision); notice the various martial music themes to grasp the concept of this pro-gov/militaryNASA/technology drama. The first pilot shows an offhand and rebel Steve Austin who refuses his injured disabled condition (even try to commit suicide) and his involvement in the scientifical department of the C.I.A. (here, O.S.O.: Office of Strategic Operation, and, later O.S.I.: Office of Scientifical Intelligence): official Oliver Spencer (later Richard Anderson as Oscar Goldman) even receivs a cold slap. From season 2, we are introduced to another bionic man: paranoid auto racing Barney Miller (with a season 3 sequel) in "The Seven Million Dollar Man", and a woman: tennis champ Jaimie Sommers, in a two-parter (with a season 3 sequel too) in "The Bionic Woman". From that point, the show slips into cheap bionic new products (Bigfoot, boy, dog) with a comic book leaning. The best episodes are those which deal with the space program/Austin's background ("The Rescue of Athena One", "Burning Bright", "The Pioneers", "The Deadly Replay": where we learn about Austin's near fatal plane accident) and the dangers of technology in the hands of America's inner enemies ("Population Zero", "Day of the Robot", "Run, Steve, Run").


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