8.2/10
69
5 user 2 critic

Long Day's Journey Into Night 

On a day in the summer of 1912, the family of retired matinee idol James Tyrone grapples with the morphine addiction of Tyrone's wife Mary, the illness of their youngest son Edmund, and the... See full summary »

Director:

Peter Wood

Writers:

Michael Blakemore (adaptation), Eugene O'Neill (play) | 1 more credit »
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On Disc

at Amazon

Won 1 Primetime Emmy. Another 2 nominations. See more awards »

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Cast

Episode complete credited cast:
Laurence Olivier ... James Tyrone Sr.
Constance Cummings ... Mary Tyrone
Denis Quilley ... James 'Jamie' Tyrone Jr.
Ronald Pickup ... Edmund Tyrone
Maureen Lipman ... Cathleen
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Storyline

On a day in the summer of 1912, the family of retired matinee idol James Tyrone grapples with the morphine addiction of Tyrone's wife Mary, the illness of their youngest son Edmund, and the alcoholism and debauchery of the older son Jamie. As day turns into night, guilt, anger, despair, and regret threaten to destroy the family. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

UK

Language:

English

Release Date:

10 March 1973 (USA) See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(DVD)

Sound Mix:

Mono

Color:

Color
See full technical specs »
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Did You Know?

Trivia

The Broadway play by Eugene O'Neill opened at the Helen Hayes Theater in New York on November 7, 1956, ran for 390 performances and won the 1957 Tony Award for the Best Play and the Pulitzer Prize in Drama in 1957. See more »

Connections

Version of Eines langen Tages Reise in die Nacht (1973) See more »

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User Reviews

 
Not Compelling in the least...
20 September 2006 | by kdrbrillSee all my reviews

Sorry to disagree, but I found this production very disappointing. Almost unwatchable. One of the most verbose plays ever written, but even aside from that, as the reviewer states above, this version is extremely stage-bound, and the actors, even Olivier, deliver substandard performances. Constance Cummings is definitely no Katherine Hepburn, not only judged by her weak portrayal here, but by her similarly spotty career. The best that can be said of the actors who play the sons is that they certainly look like they could be brothers in real life. The story may have been difficult for O'Neil to write, and scandalous when it was first performed, but it's now incredibly dated. They fight, they make up, they tell stories of the past, they fight again, then make up, and on and on. Redundant to the nth degree. The earlier, and in some versions, shorter 1962 version is far superior to this seemingly unending production. Just my two cents.


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