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The Cowboys (1972)

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Rancher Wil Andersen is forced to hire inexperienced boys as cowhands in order to get his herd to market on time but the rough drive is full of dangers and a gang of cattle rustlers is trailing them.


Mark Rydell


William Dale Jennings (novel), Irving Ravetch (screenplay) | 2 more credits »
1,539 ( 5,381)
1 win. See more awards »



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Cast overview, first billed only:
John Wayne ... Wil Andersen
Roscoe Lee Browne ... Jebediah Nightlinger
Bruce Dern ... Long Hair
Colleen Dewhurst ... Kate
Alfred Barker Jr. Alfred Barker Jr. ... Fats - Cowboy
Nicolas Beauvy Nicolas Beauvy ... Dan - Cowboy
Steve Benedict Steve Benedict ... Steve - Cowboy
Robert Carradine ... Slim Honeycutt - Cowboy
Norman Howell ... Weedy - Cowboy (as Norman Howell Jr.)
Stephen R. Hudis ... Charlie Schwartz - Cowboy (as Stephen Hudis)
Sean Kelly Sean Kelly ... Stuttering Bob - Cowboy
A Martinez ... Cimarron - Cowboy
Clay O'Brien ... Hardy Fimps - Cowboy
Sam O'Brien Sam O'Brien ... Jimmy Phillips - Cowboy
Mike Pyeatt Mike Pyeatt ... Homer Weems - Cowboy


When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage; however, neither Andersen nor the boys know that a gang of cattle thieves is stalking them. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis


The youngest was nine. There wasn't one of them over fifteen. At first, he couldn't stand the sight of them. At last, he couldn't take his eyes away. See more »


GP | See all certifications »

Parents Guide:

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English | Spanish

Release Date:

13 January 1972 (USA) See more »

Also Known As:

Cowboys See more »

Filming Locations:

Durango, Colorado, USA See more »


Box Office


$6,000,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

Mono (35 mm prints)| 70 mm 6-Track (70 mm prints)| 4-Track Stereo (some 35 mm prints)


Color (Technicolor)

Aspect Ratio:

2.20 : 1
See full technical specs »

Did You Know?


The poem read in the school, starting "Hail to thee blithe spirit/ Bird thou never wert . . . " is "To A Skylark" by Percy Bysshe Shelley. See more »


After burying Charlie Schwartz, he rides by in the next scene on his horse while Cimarron and Mr. Andersen talk. See more »


[before fighting Long Hair]
Asa Watts: I'm thirty years older than you are. I had my back broke once, and my hip twice. And on my worst day I could beat the hell out of you.
Asa Watts: [smiles, shakes his head] I don't think so.
Wil Andersen: You will.
[Knocks him down with a big left]
See more »

Alternate Versions

During its roadshow release, the film featured - like most films shown in a roadshow format - an overture (heard on tape just before the film began), an intermission with entr'acte music, and exit music (heard after the film had ended). When the film went on general release, all of those elements were removed and the film was shown from beginning to end with no interruption. See more »


Guitar Concerto in D, 2nd movement (Largo)
Written by Antonio Vivaldi
Played by Slim and also heard during a scene of the drive
See more »

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User Reviews

The Brady Bunch Meets The Wild Bunch
29 January 2008 | by slokesSee all my reviews

John Wayne led many a cattle drive, but there's something especially satisfying about this final turn on the trail, alongside ten young boys for what turns out to be a hardnosed yet winning salute to the Duke's legacy of manly comportment.

"It's not how you're buried, it's how they remember you," Wayne's Wil Andersen tells one of his charges, the half-breed Cimarron (A Martinez), and "The Cowboys" is a two-hour rumination on that theme, of how Andersen, a man whose hard-bitten ways cost him two sons, finds a sort of redemption with these boys who come to help him take his cattle 400 miles to Belle Fourche while the only menfolk are either off panning for gold or else aiming to get their fortune in seedier ways.

John Wayne in his post-Oscar years didn't have much to prove, and many of his movies from that time play today as little more than agreeable trips to the well. "The Cowboys" is different. Picking up on the rougher theme of post-"Wild Bunch" westerns, it presents a modern sensibility where people swear and bleed profusely when shot or punched. Wayne might seem out of place, yet he finds the right balance here between his characteristic latter-day gruff humorousness and the sterner stuff we remember from his classic turns in "Red River" and "The Searchers".

The key to Andersen are those dead sons he has buried out in his spread back home. "They went bad on me," is about all he can say on the matter. "Or I went bad on them. I can't figure it out." Seen through that prism, everything Andersen does with his young cowboys makes a lot of sense, right down to the famously grim finale with Bruce Dern, whose memorable "Long Hair" is one of the great Wayne-movie villains.

But there's a lot of joy in "The Cowboys", too. Another scene early on, just as classic, has Andersen deciding to give the boys a lesson with a wild mare, Crazy Alice, only to get taught a lesson in turn by these surprisingly spry youngsters, who each manage to prove themselves to Wil's wry chagrin.

"I hope I haven't ridden all the rough off her!" one offers as he hands back the reins.

"You'll do," Wil replies, about all the affection he gives or they want.

Then there's Jebediah Nightlinger, the cook and only other adult figure on the scene, who tries less hard than Wil to hide his enjoyment of the situation. Hard as it is to imagine "The Cowboys" without Wayne, it's harder to imagine it without Roscoe Lee Browne, whose every utterance has a quality of burnished bronze.

Director Mark Rydell finds the right tempo and look for his film, aided by John Williams' stirring score and Robert Surtees' camera work. Every shot has the quality of a glossy Louis L'Amour cover, majestic pines and grassy hills stretching out into infinity.

About the only thing keeping "The Cowboys" from classic status is an ending which, while satisfying, comes off very pat on reflection. Despite the long time we spend with them, many of the Cowboys themselves lack for individuality, an exception being Robert Carradine, who plays Slim the de facto leader of the kids, and is the real-life son of Wayne's "Stagecoach" co-star John Carradine.

"The Cowboys" wasn't Wayne's swansong, yet it's a stirring valedictory effort all the same, a chance to see an enduring screen legend at his late and glorious apex, showing a new generation, and generations yet unborn, a thing or two about getting it done.

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