During the sixteenth century, the Catholic Mary, Queen of Scots engages in over two decades of religious and political conflict with her cousin, the Protestant Queen Elizabeth I of England, amidst political intrigue in her native land.
A young knight sets out to join King Richard's crusaders. Along the way, he encounters The Black Prince who captures children and sells them as slaves to the Muslims. It is Robert Narra's ... See full summary »
The tragic story of Nicholas II (Michael Jayston), the last Czar of Russia, set against the backdrop of the Russian Revolution. It is an inside look into the private lives of Nicholas and his wife Alexandra (Janet Suzman), their daughters, their only son, and the painful secret about their son and heir apparent which bound the Imperial Couple to the mystical Grigori Rasputin (Tom Baker), and the eventual execution of the entire family.Written by
Gailene Va. Holley <firstname.lastname@example.org>
When Yakovlev (Ian Holm) is helping the royal family to escape he has a conversation with Nicholas (Michael Jayston) at the back of the train in which he states "You only know how many soldiers died because someone counted them for you. Seven Million!" In fact there were less than two million Russian soldiers killed during WWI. See more »
Tsar Nicholas II:
Oh, God, but it's good to be alive! The Earth is like a field in summer, just bursting with good things. Someday, when all the wars are over, someone young will lead us to the harvest. As long as there are children, anything is possible.
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"By courtesy of the National Theatre of G.B." is written underneath Tom Baker and Laurence Olivier's names in the end credits. "By courtesy of the Royal Shakespeare Company" is written underneath Janet Suzman's name. See more »
The present DVD issue is slightly longer than the original VHS versions and includes several scenes not featured in the earlier versions e.g. a Russian general committing suicide and more scenes of the royal family in captivity. See more »
This truly beautiful movie with considerable artistic value should not be watched for its historical accuracy or its lack of geographical precision. It is mainly a story about a marriage of two weak but lovable people who somehow should not have been where fate put them. You could call Nicholas and Alexandra an anti-monarchistic manifesto.
The script really is first rate, it doesn't matter that all the characters are far more English than Russian, what counts is the way a tragic situation unfolds in front of the viewers. For many the last czar probably was a monster as he ordered the death of hundreds of thousands. Yet watching the movie you want to believe that he is the victim of circumstances, far removed from everyday life and a husband and father who cares deeply and, in spite of all his outrageous decisions and non-decisions, wants to be good". Strange as it seems, but the intimate scenes between him and his wife are the highlights of the movie, as they really bring out the affection between two people who are attracted to each other although they are only too familiar with each other's flaws. It makes the tragic ending of the movie all the more sad.
I had the chance to visit Nicholas' palace in Yalta a few years back. It is full of family snapshots, as the czar was an avid photographer (and also movie maker). It is striking how modern those pictures are, how relaxed and middle class" the imperial family, always in bathing suits or some elegant leisure wear, appears. In a strange way the Russian emperor comes through as being much less crusty than his contemporaries on the throne of Britain, Germany or Austria-Hungary. It gives you the idea that he was a modern man. Strangely, whenever he himself is in the photos, he is never in the center of the picture but always somewhere in a marginal position, seeming to be either bemused or slightly embarrassed. What a sad career!
An interesting side-effect of the movie is the fact that it shows that at the outset of World War I the crowned heads of Europe, many of them related to each other and on relatively intimate terms, could have prevented the bloodshed. They failed colossally and thus sealed the fate of a continent that still tries to find unity and a common denominator.
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