7.2/10
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Nicholas and Alexandra (1971)

Czar Nicholas II (Michael Jayston), the inept last monarch of Russia, insensitive to the needs of his people, is overthrown and exiled to Siberia with his family.

Writers:

Robert K. Massie (book), Edward Bond (additional dialogue) | 1 more credit »
Reviews
Won 2 Oscars. Another 1 win & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Michael Jayston ... Nicholas
Janet Suzman ... Alexandra
Roderic Noble Roderic Noble ... Alexis
Ania Marson ... Olga
Lynne Frederick ... Tatiana
Candace Glendenning ... Marie
Fiona Fullerton ... Anastasia
Harry Andrews ... Grand Duke Nicholas (Nikolasha)
Irene Worth ... The Queen Mother Marie Fedorovna
Tom Baker ... Rasputin
Jack Hawkins ... Count Fredericks
Timothy West ... Dr. Botkin
Katherine Schofield ... Tegleva
Jean-Claude Drouot ... Gilliard
John Hallam ... Nagorny
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Storyline

The tragic story of Nicholas II (Michael Jayston), the last Czar of Russia, set against the backdrop of the Russian Revolution. It is an inside look into the private lives of Nicholas and his wife Alexandra (Janet Suzman), their daughters, their only son, and the painful secret about their son and heir apparent which bound the Imperial Couple to the mystical Grigori Rasputin (Tom Baker), and the eventual execution of the entire family. Written by Gailene Va. Holley <gvah@lava.net>

Plot Summary | Plot Synopsis

Taglines:

...is the story of the love that changed the world forever!


Certificate:

GP | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | French | German | Russian

Release Date:

13 December 1971 (USA) See more »

Also Known As:

Nicholas and Alexandra See more »

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Box Office

Budget:

$9,000,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Horizon Pictures (II) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (70 mm prints) (UK release)| Mono (35 mm prints)

Color:

Color (Eastmancolor) (uncredited)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

John Wood played Ptoyr Stolypin in Rasputin (1996), which depicted many of the same events. See more »

Goofs

When Yakovlev (Ian Holm) is helping the royal family to escape he has a conversation with Nicholas (Michael Jayston) at the back of the train in which he states "You only know how many soldiers died because someone counted them for you. Seven Million!" In fact there were less than two million Russian soldiers killed during WWI. See more »

Quotes

Tsar Nicholas II: Oh, God, but it's good to be alive! The Earth is like a field in summer, just bursting with good things. Someday, when all the wars are over, someone young will lead us to the harvest. As long as there are children, anything is possible.
See more »

Crazy Credits

"By courtesy of the National Theatre of G.B." is written underneath Tom Baker and Laurence Olivier's names in the end credits. "By courtesy of the Royal Shakespeare Company" is written underneath Janet Suzman's name. See more »

Alternate Versions

The present DVD issue is slightly longer than the original VHS versions and includes several scenes not featured in the earlier versions e.g. a Russian general committing suicide and more scenes of the royal family in captivity. See more »

Connections

Version of Rasputin, Demon with Women (1932) See more »

Soundtracks

Wiegenlied (Cradle Song) Op.49, No.4
(uncredited)
Music by Johannes Brahms
Words from Des Knaben Wunderhorn
Sung by Alexandra
See more »

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User Reviews

 
Dynasty - with a superior, intelligent script
5 July 2006 | by manuel-pestalozziSee all my reviews

This truly beautiful movie with considerable artistic value should not be watched for its historical accuracy or its lack of geographical precision. It is mainly a story about a marriage of two weak but lovable people who somehow should not have been where fate put them. You could call Nicholas and Alexandra an anti-monarchistic manifesto.

The script really is first rate, it doesn't matter that all the characters are far more English than Russian, what counts is the way a tragic situation unfolds in front of the viewers. For many the last czar probably was a monster as he ordered the death of hundreds of thousands. Yet watching the movie you want to believe that he is the victim of circumstances, far removed from everyday life and a husband and father who cares deeply and, in spite of all his outrageous decisions and non-decisions, wants „to be good". Strange as it seems, but the intimate scenes between him and his wife are the highlights of the movie, as they really bring out the affection between two people who are attracted to each other although they are only too familiar with each other's flaws. It makes the tragic ending of the movie all the more sad.

I had the chance to visit Nicholas' palace in Yalta a few years back. It is full of family snapshots, as the czar was an avid photographer (and also movie maker). It is striking how modern those pictures are, how relaxed and „middle class" the imperial family, always in bathing suits or some elegant leisure wear, appears. In a strange way the Russian emperor comes through as being much less crusty than his contemporaries on the throne of Britain, Germany or Austria-Hungary. It gives you the idea that he was a modern man. Strangely, whenever he himself is in the photos, he is never in the center of the picture but always somewhere in a marginal position, seeming to be either bemused or slightly embarrassed. What a sad career!

An interesting side-effect of the movie is the fact that it shows that at the outset of World War I the crowned heads of Europe, many of them related to each other and on relatively intimate terms, could have prevented the bloodshed. They failed colossally and thus sealed the fate of a continent that still tries to find unity and a common denominator.


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