Archie Bunker, was a bigoted working-class family man who held his views of the world. His viewpoints clash with nearly everyone he comes into contact with especially his son-in-law Mike Stivic (or, as Archie delights in calling him, "Meathead").Written by
Brian Rathjen <firstname.lastname@example.org>
You are about to see something new in comedy. Real people. To err is human. Which makes the Bunkers just about the most human family you'll ever want to meet. Also the funniest. Enjoy a laugh on them and the prejudices which keep them in constant battle and bafflement. (season 1)
Two main characters on this show had to have emergency appendectomies. Mike and Stephanie. See more »
Throughout the first five seasons,it appears that Mike and Gloria's bedroom is on the opposite side of the wall from Archie and Edith's bedroom.
But in later episodes both bedrooms appear to be directly across the hall from eachother. See more »
We're going to see something you know nothing about: culture.
[Shows him the art exhibit book]
Oh ho ho, look at this. No wonder he's getting himself so excited, it's one of his own here: A Polack art exhibit.
That's 'Pollock'. Jackson Pollock. He happens to be a great American artist.
Well he sure paints Polish. Look at this: he splashes and smears the paint over everything here. What do you mean? A monkey could do that. A great American artist? There ain't a tree or a flag or a president in ...
[...] See more »
When episodes air on TV, they are trimmed to fit the alotted time. The complete versions are available on video and DVD. See more »
Arguably the Most Important Television Series of All Time.
The series was a powder keg immediately from the start as Civil Rights unrest and equal rights not only for minorities, but also women dominated headlines. And then there was Vietnam and Watergate. There was total chaos still in places in the south and in larger metropolitan areas in the north. Could television bring these public affairs to light in a comical and thought-provoking way? The answer was a resounding yes as "All in the Family" tore down perpetual American television programming walls with brash views, crazed situations, envelope-pushing elements and dominant film-making techniques (even though this was a sitcom) which all merged to paint a canvass of programming superiority that lasted for 212 mind-blowing episodes over nine years from 1971 through 1979. "The Andy Griffith Show" in the 1960s displayed how Americans wanted life to be, while "All in the Family" in the 1970s showed how American life really was. The result was a ratings monster pretty much from the word go as people watched to be entertained, to be disgusted, to praise and to criticize. The show itself was about a blue-collared New York dock worker (Carroll O'Connor) who has bigoted expressions because life continues to slap him in the face. O'Connor was definitely anti-woman, anti-minority, anti-youth and anti-liberal. He also had crazed views that would show him as being pro-Nixon and pro-Vietnam (real hot button topics back then). The show struck cords the nation over, but comedy was always mixed in and the series thrived due to both its supporters and its detractors. "All in the Family" fought problems in the U.S. by poking fun at very serious issues instead of sweeping them under the carpet like other programs of the period did. Jean Stapleton was priceless as O'Connor's kind, naive and somewhat dumb housewife. Sally Struthers was their only child, a liberal who showed the viewpoints of the Baby Boom generation. She was also married to a young man (Rob Reiner) who was O'Connor's emotional and verbal sparring partner. Reiner was of a Polish descent and that only fueled more fire between the volatile pair. O'Connor's Archie Bunker is arguably the deepest and most unique television character of all time as his crazed and sometimes silly views overshadow the fact that he is a highly sensitive middle-class man who is doing the best for himself and those around him. He is someone who does not always think before he speaks and therein lied his greatest weakness. Eventually most who saw the program embraced him as a flawed and tortured hero (not because of who he was, but because of who he really wanted to be). The lasting effect of "All in the Family" is something to think about, even today. The program continues to be vitally important to 1970s art, society and history. The success of the program even led to spin-offs galore. "Maude", "The Jeffersons", "Archie Bunker's Place" and "Gloria" were all the birth-children of this innovative, smart and completely original taste of Americana that still lives on strong today through many cable channels. 5 stars out of 5.
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