Though mostly known for his gritty yakuza dramas and, now, his legendary cult film Battle Royale, Kinji Fukasaku's career ranges across (and liberally messes around with) many genres. Black... See full synopsis »
Scientist Dr. Foss thinks he has found in Traumer the perfect assistant to help him in his research: dedicated, efficient and phlegmatic - Maybe a little too phlegmatic perhaps. What is it exactly that makes him so very special?
A giant asteroid is heading toward Earth so some astronauts disembark from a nearby space station to blow it up. The mission is successful, and they return to the station unknowingly bringing back a gooey green substance that mutates into one-eyed tentacled monsters that feed off electricity. Soon the station is crawling with them, and people are being zapped left and right!Written by
The cover of 1983 science fiction book 'The Worlds of H. Beam Piper' was based on a scene on the asteroid in this movie. See more »
Captain Martin wears a helmet that covers both of his ears. When he answers the phone, he holds the handset up to his cheek where he couldn't possibly hear the other party. See more »
Jack, do you realize that this is the first time that anything living has been found in space? Do you know how terribly important that is?
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Although "The Green Slime" was released in the U.S. as a 90 minute version, director Kinji Fukasaku and his editor prepared a much more tightly edited 77 minute version (called "Gamma III: Big Military Space Operation") for release in Japan. This "Japanese" version eliminates the Robert Horton/Richard Jaeckel/Luciana Paluzzi relationship triangle, and is much more "militaristic" in tone. Several scenes are edited differently, additional alternate music cues are used (which are less "sci-fi" sounding than the "Amercian" version), and the rock and roll theme song is omitted entirely (replaced by a military march theme). The ending before the credit roll has additional scenes inserted with Paluzzi and Jaeckel, which change the tone of the ending from optimistic to downbeat. See more »
Robert Horton was on the downslide and poor Richard Jaeckel was stuck in one more film unworthy of his talents. Luciana Paluzzi....well, with neither talent nor anywhere to slide, I guess she belongs in this movie.
It's bright, loud and brassy and everything in the space station screams of the 1960's, including the theme song which has to be the most unusual ever tacked on to a sci-fi film. The color process they used (is it Technicolor?) is so unreal that the whole thing reminds me of a comic book. Watch "Danger,Diabolik" and you'll get that same feeling. Bile greens and mucous yellows.....ugh.
The story line is not much but the special effects, frankly, may be better than some of that period. This was made before fx came into their own, so be a little forgiving. The monsters are not very well conceived and they are soooo slow moving.
Just watch this one for the fun of it and try to forget how embarrassed the actors must have been mouthing those lines, wearing those outfits and running around in cardboard sets while being pursued (very slowly) by a bunch of green Jello. What a hoot!!
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